@MDL:
Seeing how Kyros feels ashamed to even touch Scarlet, imagine how the sexual intercourse between those two went down.
Scarlet: "What's wrong?"
Kyros: "I…JUST.....I LITERALLY CANT DO IT, THERE IS A FORCE FIELD OF PURITY BETWEEN YOUR LEGS! OH RIKU, GUIDE MY BLUNT SWORD!"
You know, if this weren't One Piece, it would be my first question, lol. But that's the same with Dragon Ball and how the most innocent being on the universe (Goku) had 2 kids. You just roll with it!
On the other hand, was this the FIRST on screen "romance" in One Piece? I don't mean couple, I mean the process itself of two people turning into a couple. As short as it was, this is the very first time, right?
@Panda:
See, this strikes me as being a fundamental misunderstanding of the scene; opinion, of course, but there you have it. What's almost amusing to me, too, is the fact that I've seen this coming from people on both sides of the debate.
Simply put, Usopp didn't win because he was, as you put it, 'superhumanly ugly'. In fact, Usopp didn't win, period. He lost; he was completely and utterly defeated. tIf you want to refer to the situation as pure luck – which I would argue against, personally -- then at least recognize that what happened through luck would be the operation succeeding, not Usopp himself. That might seem like an unnecessarily fine, pointless distinction, but it's actually quite important for at least one reason: namely, this was in no way intended to be a moment for Usopp.
That said, I can understand, to an extent, simply being upset over that very fact. After all, here we had a perfect setup for Usopp to shine, and it was squandered. On the other paw, though, I would argue that Usopp already did have an amazing moment; regardless of how one feels about his cowardice and running away in the past chapters, I think it's hard to deny that his moment of returning and taking a stand was a great one. I suppose one might argue that it was derivative, or repetitive, that Usopp has already had precisely such moments before; then, though, that exact same argument would have to be applied to Usopp managing to attain victory against seemingly insurmountable odds, as many seem to wish had been what happened.
Actually, to me, that last point forms the very basis of what made the joke work. Admittedly, I do think, in this particular case, that the payoff would have worked much more if even just a page or two of Usopp fighting and being defeated had been shown. Under normal circumstances, I would be fine with cutting back to him already defeated, as short-hand for him having been completely and utterly outclassed. In this scenario, though, the joke depended on playing with our expectations, and so would have been well served by doing a little more to build those expectations up. Showing Usopp trying everything in his power, all to no avail; building the tension, knowing that everything rides on Usopp succeeding, and that thus he surely will; causing us to wonder what untold depths of will he would dip into, what clever trick he would pull; then, for the final, dramatic climax, having things end as they did. That, I feel, really would have made the moment shine.
Given that I feel it could have been executed better, though, I still feel like it worked well enough as it stands. Frankly, to me, a lot of the complaints about the scene seem to be that Oda turned what 'should have been' a dramatic moment into a gag, which I find a somewhat baffling stance to take, given that that irony is precisely the source of the humor in the first place.
What you say is true, and it's perfectly exposed. Still, that "flaw" that you see in the scene, to me, it's a pretty huge one. From many angles.
Not showing the fight Usopp went through after "maning up" robs us of a potentialy entertaing scene but it also robs us of some potential drama were Oda could've played with our expectations, the reader knowing deep down inside that it will end up fine, and then, blam, Usopp is defeated to the point of unconsciousness. From a narrative and tension building angle, Oda didn't win anything in the process by off-screening the whole struggle, quite the opposite.
As you put it, and it does seem like what people are having trouble dealing with, is the fact that Usopp was utterly defeated. And as you say, he didn't win by luck or by a gag; he lost. "But it could've been anyone else in his place and the result would've been the same!", yes, of course, because he lost. On that aspect, I think you just hit the nail on why the scene is so polarizing. But, to me, that "nuisance" that is Oda not showing the scene is actualy the biggest mistake of the scene, not what actually happened, which I've been okay since the beginning.
This is writing 101, "show, don't tell". Oda, lately, is "telling, not showing". This fight should've been a tension builder, so when the inevitable loss happens, the reader feels the despair of the situation. If you go from "fight starts!" to "other stuff!" and then "fight ends!", the tension and the drama is totally diminished and the reader doesn't feel the same impact he would've felt if shown the whole (or a big chunk) of the struggle. We saw the toys and the dwarves cheering for Usopp, but we didn't have any chance to do so, and we should, cause we're the audience this story is directed at. To me, that was one of the biggest mistakes Oda has made till now, and one of the biggest dangers of the sped-up pace and the off-paneled conflicts happening in order for Oda to be able to put as much stuff in his manga as possible.
At the same time, I DO actually appreciate what he's trying to do: he's trying to give us as much stuff happening as possible. Problem, as been said a gazillion times, is that by not dwelving deeper into each and every one or these scenarios taking place at the same time, they lose relevance and dramatic impact. So, by trying to give "more" to the readers, he's, in the end, giving them "less". The intentions are good, I'm sure of it, but the result is harmed during the process.
Now, if the climax delivers, people will probably be much more forgiving with this issues. If this keeps up, people will start to be more and more disappointed that a great story with great characters and lots of potential is not being used to its fullest. As many have said before me, it feels like current One Piece is "good", no doubt about it, but it shouldn't be "good", it should be "excellent", something it has been in the past and that Oda is fully capable of doing.
@.access:
Genuine curiosity: what is the problem with that scene?
Well, that scene is kinda hilarious when you see Kizaru's incredibly good sniping skills (sniping a tiny key from such a distance? impressive!) that could've been put to a better use by, you know, sniping Luffy on the head.
Of course, this is One Piece (no one gets killed ever), and this is Luffy (main protagonist), so Oda chose the hilarious route.
Marineford is weird in that it's probably one of the most exhilarating arcs, with probably the best art and some of the most impressive set pieces ever, and yet it has some of the most hilarious writing decisions on Oda's part. Still totally love the arc, regardless.