For a chapter that's purely about set-up and thematics, I thought this chapter was actually quite good at re-establishing the very human stakes behind the raid on Onigashima, something that has been out of focus for quite a while now. Just because you want to see something specific happen (whether it's the end of the fight or the raid failing in its entirety) doesn't mean that the material is bad just because it didn't drive the plot forward.
Also really good to see Denjiro finally showing up, if I had to guess, Hiyori's plan involved him being the one to land the final blow all along, but was disrupted by Kanjuro's fire beast appearing.
@Robby:
All the elements seem to be in play for this being the final attack. The lantern wishes, the long delay on the attack, the brief flashback reminding of us what's at stake, Kaidou finally revealing a new super move… it FEELS like the end and its certainly run long enough...
but it also feels like a ball dropped on a LOT of things. He's gotta see adult Oden looking Momo before going down, right? And the drama of the island needing to fall, the whole Momotaro thing... confirmation of his awakening ultimate power move... (If the fire dragon is it that's fine, the scale is certainly there) it just overall feels... off.
If this IS the end, fine, its gone long enough, but it just really feels... off. Like the actual catharsis just isn't there.
I'm not saying there's a checklist of things that I personally ust see before I believe it, I don't want to be one those.... but its just lacking a lot of fundamentals of drama and storytelling that I know Oda is a master off so its weird for them to not be there.
WHy spend FIFTY chapters with the threat of the falling island, including hte last 20 being Moo trying to stop it, and then not pay that off? THat can't possibly be right.
I still think maybe this is the hit that mostly finishes the job and takes Luffy out... but Kaidou is left with enough juice to still be a threat, but capable of being confronted by others.
I'm writing this in a hurry between work and gym time, so please excuse the rambly feel here..
I've been thinking a lot about how Oda seems to be going for something a bit different when it comes to the ending of this arc, and one thing that kinda popped out to me is that despite how big the stakes and scale of the Wano struggle and fight, in some ways, the traditional "strawhats arrive and free oppressed island" arc structure has been basically distilled to its most basic and core elements.
The citizens of Wano aren't under any kind of spell or illusion or deception cast by the villain, whether it's subterfuge-based like how Crocodile planned to turn Alabastans against each other, how Caesar fooled the kids/Brownbeard's people, or CP9 fooling W7 residents while they tracked down the ancient weapon (among many other examples), nor is there a literal spell that bounds the residents, like how the Dressrosa locals were fucked over by Sugar's fruit or the shadowless Thriller Bark captives. Instead, everyone in Wano knows exactly why they are in the predicament they are in, and exactly what they need to do to wrest their freedom back, but simply lack the raw strength to actually execute said things because one exceedingly powerful man is there.
This to me feels like the reason Oda seems very determined to have the Wano normies be completely out of the picture, after all, why do they need to witness anything? They lack the capability to help from a strength standpoint, and they aren't gonna suddenly realize what they are already established to know extremely well (that Orochi/Kaido are terrible for them and need to go). Even the Momo as Oden doppleganger angle has already been established as more of a solution to the legitimacy problem in the prison scene (i.e. that would be the moment they realize Luffy isn't there to be the next slavemaster), so they don't need to see adultified Momo until all has been done with.
The only way all this makes sense to me is if Oda plans on having Kaido go down in an extremely low-key and understated way by Kaido's standards, after all, the absolute best punishment for a villain that wants to die in grandiose fashion is to have him go down in a super low-key fashion that barely makes an impact on the world at large.
I think a lot of the arc's issues lies in the contradiction of massive scope combined with what has so far been an extremely simplistic (and extremely theatrically-presented) plot, to the point where almost any wrinkle Oda throws in simply feels like an artificial delay to the plot, rather than something more natural-feeling. And while I'm not a powerscaler by any means, Oda has really painted himself into a corner here when it comes to how big the difference between Kaido and Luffy is, to the point where Luffy KO's have the least impact I have seen in a long while now.
With all that said, Wano will be the most discussed and most controversial arc in OP history imo, mainly because it's the arc with the most esoteric lore drops, the arc with the most key characters involved in definitive fights (as opposed to the skirmishes we saw in Marineford), and some of the strangest plotting decisions in a long while imo.