This was a pretty great chapter!
There wasn’t a lot in the way of story developments because it was mostly action oriented but that doesn’t mean there’s nothing to talk about. Quite the opposite in fact.
VIDEO REVIEW:
I really liked the short scene with Big Mom, Perospero and Marco outside Onigashima. Big Mom assuages Perospero’s concerns about allying with Kaido when she subtly hints at her intent to betray Kaido. Which really shouldn’t come as a surprise. Big Mom and Kaido’s motivating desires for finding One Piece are completely different. Kaido wants to start a global war and Big Mom dreams of an idyllic utopian state where all races of the world live in harmony…. Under her tyrannical thumb.
Those ambitions were never compatible, so it has always seemed like a matter of when not if this alliance falls apart. Peropspero presses the issue by saying he and the rest of her children want to make her Pirate King, which, she acknowledges and tells him to trust her, implying Big Mom is fully aware of the incompatibility of her and Kaido’s ideals.
Marco’s alliance with Perospero ends when he realizes their interests aren’t mutual.
Big Mom questions Marco’s decision to aid the Straw Hats and implies he represents the remnants of Whitebeard’s crew in their entirety, but Marco counters by stating the former Whitebeard Pirates freedom to act individually. They aren’t bound by ‘the word of pops’ – the word of Whitebeard.
I think what Oda was really shining a light on here was the difference in ‘parenting’ style between Whitebeard and Big Mom, which reflects their respective moral character. Whitebeard’s crew weren’t his biological children. Most of them were orphaned, or lost, and thus constituted a found family. Ace, the son Whitebeard gave his life to rescue, was in fact biologically the son of his greatest rival, Roger.
Whitebeard regarded his crew like children, raised and guided them, but didn’t force them to abide by his wishes. We know Ace went rogue in pursuit of Blackbeard, a sin for which Whitebeard ultimately paid the price. When Oden chose to join Roger, Whitebeard, despite his anger, didn’t stand in Oden’s way.
This contrasts pretty strongly with Big Mom, whose crew consists almost entirely of her true biological children, forced to live and act as she desires. So Big Mom’s assumption that Marco’s actions are somehow representative of Whitebeard’s wishes is a reflection of her values.
Perospero and her other children want to see her become Pirate King – but they didn’t really have much choice in that matter. Where Whitebeard’s crew chose to call themselves ‘sons’ of Whitebeard when they joined his crew, Big Mom’s children are forced into servitude from birth.
I think what this potentially sets up is the continuation of Big Mom’s story arc beyond Wano. When Ace went off on his own, Whitebeard was willing to go to the ends of the Earth to shield him from the consequences of his errant actions. Conversely, Big Mom disowned Lola when the breakdown of her betrothment to Loki ruined Linlin’s chances of securing an alliance with the Giants of Elbaf.
Yet we saw on Whole Cake Island that some of her other children, Chiffon, Pudding, Katakuri, even Brulee, have to a degree come to respect the Straw Hat Pirates and act independently of their mother’s wishes. Big Mom has a tragic backstory / childhood and it would certainly be in keeping with Oda’s style to write her some sort of redemptive arc.
At this point, I’m not sure how it’ll play out, but I think it’s likely connected to a future Elbaf story arc. This could also be where the current cover story arc which has reunited Chiffon and Lola is headed.
Moving on from there, we see Carrot racing off to ‘avenge Pedro’s death’, which we can assume to mean, face Perospero. Wanda pops up out of nowhere after disappearing for the past 15 chapters.
Personally, I’m hoping she doesn’t play a major part in the battle against Perospero. Wanda is really a peripheral character at this point, and avenging Pedro could be a significant character moment for Carrot.
I believe Carrot is likely to join the Straw Hat Pirates, so I think it’s significant Oda is setting her up for a prominent moment of her own during the story arc. Carrot didn’t use her Sulong transformation yet, which could potentially put her on a level playing field with Perospero. The fact that Oda has singled her out seems significant, but Wanda’s presence does put that into question.
I believe the narrative role of the tragic flashback to instill a motivating desire in members of the crew was filled for Carrot by Pedro’s death on Whole Cake Island. His dying words stressed the important role Luffy and the Straw Hats are meant to fill by bringing the light of the New Dawn.
Pedro passed on to Carrot the message that every person has their time to shine, words spoken to him directly by the Pirate King. Roger’s message was passed on to Carrot and now, she may take center stage in a fight against Perospero, the one ultimately responsible for Pedro’s death.
I also think the panel progression at the bottom of page 2 is interesting. We see in two vertically aligned panels, Carrot and Luffy rushing off from the performance area where the Straw Hats were assembled, which could be a simple visual cue she is meant to join.
On that topic, we have Yamato at the top of the following page still chasing after Momo.
At this point, I’m still of the opinion Yamato is not intended to join the Straw Hats, though there is still time for that to change.
The cover of WSJ this week does feature Yamato and Luffy standing back to back, but it’s worth noting Oda has never before previewed or featured a future Straw Hat on the cover of Jump Magazine before. The one exception here being Nami on the first issue in which One Piece appeared, but those were very different circumstances.
I briefly want to mention the song Black Maria sings which serves as transition from the opening scene.It seems to describe two lovers separated on a snowy night reunited under the moonlight. I’m planning to release a video exploring this topic in greater depth soon, but it’s important to pay attention whenever the moon is mentioned in One Piece as I believe it is one of the most important and recurrent symbols throughout the series with relation to the deepest mysteries in the series.
Like Binks’ Sake, it’s possible this song may in some way relate to the central narrative arc of the series.
The majority of this week’s chapter is focused on the battle between Oden’s retainers and Kaido on the roof of Onigashima and it was really well done.
Post-TS, Oda has largely skipped over fight scenes which don’t involve Luffy, but I think what he did here was excellent.He managed to propel the action along at a fast pace in a short number of pages while spotlighting all nine members of the scabbards. I really don’t think long battles drawn out across multiple chapters are needed. I think Oda here realizes a healthy middle ground between that and the alternative of completely skipping fights.
I really love the double page spread where Kaido and the Scabbards first face off. Raizo had a really standout moment where he demonstrated his ninjutsu’s ability to turn Kaido’s own attack back on him. His ninjustsu have been mostly used for gags, so it was really surprising for him to use them so effectively her against Kaido. I wonder how ninjutsu works in One Piece. Is it Haki related?
Inuarushi joins Zoro as a practitioner of the Santoryu style. The bullets Izo fires alongside Kiku’s attack seem to have a sort of gravitational effect, drawing in Kiku’s attack into a sort of orbit.
Everything looks like it’s going great for the alliance at the moment, but I suspect we’ll soon learn what makes Kaido so unkillable.This scene is playing out eerily similar to the battle between Oden and Kaido in chapter 970. Oden delivered a serious blow, but before he could finish off Kaido, Higarushi interfered and diverted his attention.
I have a theory video about Kaido and the Secret of the Dragon Devil Fruit where I elaborate further on this idea, but I believe, as an eastern style dragon, Kaido’s inability to be killed is in part derived from good fortune.
Full Theory Here:
Kaido here remarks that the retainers are not as powerful as Oden, yet are managing to inflict serious wounds, much to his surprise.
It’s important to note that Momonosuke’s artificial Dragon Devil Fruit may also possess this passive ability or trait of imparting good fortune, so his presence on Onigashima may be responsible for the Scabbards current stroke of luck. But what happens if Shinobu and Yamato remove Momo from Onigashima? Could the odds once again turn in Kaido’s favor? As the text box which accompanies his introduction reads, ‘in a one on one fight, always ‘bet’ on Kaido’.
We’re 8 chapters away from 1,000 and I believe we’re likely closing in on the end of Act 3. In Kabuki plays the third act ends in tragedy. The battle went really well for the Scabbards this chapter, which ended with them dealing a serious blow to Kaido.
Whether or not I’m right about the role good fortune plays in Kaido’s winning streak, I think we’ll soon realize what makes Kaido so unkillable, when the tables turn and Kaido emerges victorious.