@AmalaNetwork:
In this particular case, that is exactly what I'm talking about. There is no logical explanation. Logically, Strawhats should have been destroyed right there and then. Frenzied Linlin can't be an unstoppable country destroying monster and be nerfed to the point of not being able to break through defensive Chooper at the same time. When I read that chapter, I clearly saw all out-of-universe reasons why that sequence played exactly as it did. It is plot armor, and it does ruin immersion a little.
I don't think there's a lack of logic in that scene, just things playing out in a convenient manner, but understandably so. Not only for the obvious reason that the main cast won't die, but Oda had prepared the grounds on which the Strawhats were able to defend themselves, not something out of nowhere. Big Mom was out of her mind, lacking focus on them as enemies, and the Strawhats had already learned the means to interact with her powers. Even if that scene is extremely over the top, Oda handled the execution very nicely to make it convincing to me. Even the jokes were very clever and appropriate. Honestly, that chapter gave me back a feeling that I hadn't felt for ages in shonen mangas regarding action scenes. More importantly, we got a little taste of what's a Yonkou.
It shouldn't be that unsubtle. I can write like this and get away with it. When author with 20+ years of experience does that, questions are asked. I'm not bashing Oda, but he should be better at hiding inner workings of his story. I know he is better than this. But I also know that any fictional story constantly evolves during the process of realization, and it's hard to choose best ideas. Especially if you are always under a deadline.
If I may talk of my experience reading One Piece, it's one of the series that I always felt like there was an author behind the scenes. And I like it. It's similar to a friend telling you a great story and you see how much he's manipulating it to be the most amazing story ever. That's fine because it suits the tone of One Piece very well and because Oda tells good stories, with nice themes, nice emotional moments, many surprises, some great characters, a lot of creativity. Not only that, but, honestly, the presentation is not that stripped down to its inner workings, since most of it finds its place very nicely, regardless of how over the top it is, even if you know why things play out the way they are.
Overall, I think WCI does a better job at hiding its inner workings than many past arcs so loved by the fandom. I wasn't around during some of them to read how people were reacting at the time, but sometimes I'm surprised by the brutal scrutinity people use to overanalyze the plot contrivances of the New World as if Oda suddenly changed.
Chapter 902 Katakuri is not the same person, as chaper 873 Katakuri. Might as well call him Dogtooth, because he directly contradicts himself. Are you telling me that pragmatic guy, who said "we should destroy Luffy before he becomes a threat" turning into someone who is happy Luffy escaped, is a smooth and consistent character development? Only because Luffy didn't laugh at him? This guy, who apparently loves his siblings so much, he woved to never lie down on his back for their sake, develops a bro-crush on a person, who with his underlings helped to try and kill his mother, ripped his brother's arm off, sent other brother to hospital, beaten and kidnapped his favorite sister etc.
In my opinion, Oda's treatment to Katakuri was one of the most subtle writing he's ever done. Maybe I read too much into things, but in those almost 20 chapters of fight you can clearly see his transformation through dialogue and his attitude towards Luffy and his own self, also giving the reader all the right tools to interpretate why he's changing. Of course, that's something you'll see (or not) when you reread this fight, so I don't think I have the power to convince you right now when so much was already said by the community.
And no, it's not because Luffy didn't laugh at him. That's not really important. Katakuri was a guy that was carrying too much of a burden to be the perfect man (suffocating his own pleasures) while supporting stupid ideas of what it means to be perfect, like "it's embarrasing to fall in combat and get up again". However, little by little, Luffy's resilience to get up and keep on fighting and then getting better and better was impressing Katakuri, who was completely perplexed by the fact that the lights in Luffy's eyes wouldn't go out. Katakuri was disturbed, even more so because Luffy was fighting him willingly, since he could have escaped of the Mirrorworld before if he wanted to. In this context, Kataruki started respecting Luffy as an actual challenge to him (physically and emotionally) instead of the weakling he thought he was facing at the beginning of the battle. That was the first time Katakuri was enjoying himself in battle against an worthy opponent and Flampé's invasion even made him give up his facade of being socially perfect.
That's why we have a bro-crush.
Btw, if he was this caring of an older brother, how in the world Pudding grew up so lonely and bitter? They have literally same issues. Katakuri couldn't find the time in 20 years to talk with his little sis? Does he only care about Brulee?
There's little we know about the individual relationships between the siblings inside the family. There are more than 80 children born generations apart, living in different islands of Totland, so we don't know how much each of them knows each others problems. That's fine, even more so because Pudding was keeping her pain inside herself instead of being an emo girl.
–- Update From New Post Merge ---
@Icefae:
If Oda doesn't have any more plans for Katakuri and Pudding until some final climax years from now, it would be super cute to have a short cover story where they bond over their admiration of the Straw Hats. I'm not sure if they've ever even spoken to each other.
Pudding and Katakuri will be the downfall of the Big Mom Pirates, that's what I think.