ok, i'll give you money of you draw me a strawhat gangbang. or i'll send you more dvds of reon. ^^;
ONE PIECE GREYSPREADS (+doodles) by e1n
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uh, moar.
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LOL all the expressions are priceless! I could so see this happening… or them having to prevent it from happening XD
*** PlasticStar5 Instagram***
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Ah, so funny! Lovely expressions, and the second panel is awesome. xD~
I love the little details like the Thousand Sunny's expression at the front of the ship. 8D -
I'm speechless, e1n. Figure out for yourself if it's a good thing or a bad thing…
it's a good thing
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Got me 3 giggles exactly :o
Nice work on Sanji's show on the last panel btw [never thought I'd comment on a shoe ><].
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I'm speechless, e1n. Figure out for yourself if it's a good thing or a bad thing…
it's a good thing
i can read small prints. xD
i like drawing little details. that panel with the thousand sunny is by far my favoritest and most enjoyable to do.
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I'm suprised Franky wasn't the one inflicting damage to luffy but Sanji..
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the damage you see is after everyone take turns beating him up.
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Oh ok, thanks for clearing that up.
(Should've known that though.)
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Haha! Thats simply brilliant!
The second panel is just sheer awesomeness. So is Franky's Sunnyshirt. -
XD Luffy using Gear 3 to open the fridge
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..just when I thought you couldn't amaze me anymore, you pimp slap me back into my senses.
I honestly can't say what I like most about it, there's too damn much! I see I'm not the only one who draws Franky's stars with a Pentagram, but I suppose most people do that.
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Great stuff as usual e1n!
@e1n:
i like drawing little details. that panel with the thousand sunny is by far my favoritest and most enjoyable to do.
Hey speaking of "details", I notice that you didn't give Zoro a dripping nose as you did for all the others. Well done! – You must have realized also that he's the only Mugiwara we've never seen snot-nosed.
Tears yes; drippy nose, no.
Not even after the battle with Mihawk.(And of course now that I've pointed it out, you're probably going to draw a whole page of snotty-nosed Zoros just to spite me, right? sigh )
Oh, by the way, I love your parody of Raymond Chandler from a few pages back. I have a graphic novel that's done similarly, only instead of OP, it's it's a Chandler parody of T.S. Eliot's poem "The Wasteland":
So it starts out with someone being murdered and a note left on the body that says "For Ezra – the better of the two", then the next scene shows the private eye at his desk, thinking to himself:
"It was April, the cruelest month..."
etc.
"Over-thinking,
over-analyzing …"
......-- Tool (from Lateralus)
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Hey speaking of "details", I notice that you didn't give Zoro a dripping nose as you did for all the others. Well done! – You must have realized also that he's the only Mugiwara we've never seen snot-nosed.
Tears yes; drippy nose, no.
Not even after the battle with Mihawk.(And of course now that I've pointed it out, you're probably going to draw a whole page of snotty-nosed Zoros just to spite me, right? sigh )
Holy! I've never even noticed this! In One Piece or e1n's drawing! Good show, chap! Good show!
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Hey speaking of "details", I notice that you didn't give Zoro a dripping nose as you did for all the others. Well done! – You must have realized also that he's the only Mugiwara we've never seen snot-nosed.
Oh, by the way, I love your parody of Raymond Chandler from a few pages back. I have a graphic novel that's done similarly, only instead of OP, it's it's a Chandler parody of T.S. Eliot's poem "The Wasteland":
i love how people overspeculate like crazy. i don't even know who the hell raymond chandler is xD. all i wanted to do is make some 20's detective story-esque theme and use extreme lighting. thanks for making it look way more meaningful than it actually is, dint. haha.
by the way, yes. zoro's never been seen with snot on his nose. of course only a fanatic like you (and me) would notice the tiny details like that. good job =)
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I'm ashamed not to have noticed Zoro's non-snotty nose. :(
(That wasn't sarcasm, I'm serious.)
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@e1n:
i love how people overspeculate like crazy. i don't even know who the hell raymond chandler is xD. all i wanted to do is make some 20's detective story-esque theme and use extreme lighting. thanks for making it look way more meaningful than it actually is, dint. haha.
Umm, Chandler was famous for having written the novels that were used as source material for film noir detective movies. His most famous one was "the Big Sleep" – the movie with Bogart and Bacall.
So you were actually doing a Chandler parody.
You just didn't know it at the time!(^_^;)
"Over-thinking,
over-analyzing …"
......-- Tool (from Lateralus)
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Haha, reading this only made me more psyched to get my prints when they come knockin' at my doorstep. X3
Luffy's beat-up face at the end was the cherry topping of the comic for me. XD
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bah. e1n's version of Nami and Robin are never as good as they could be, so it's better to request pr0n drawwing odf some other characters.
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so i can't draw toloveru style, majek, sorry. =P
first off, happy 10th anniversary, one piece. congratulations, oda-sensei, for making it this far. i truly enjoy reading OP and i hope it will have another 10 years of success.
!
this is not an aesthetically pleasing wallpaper, but if you wanna use it as wallpaper:
1280x1024: http://e1n.kefi.org/FANARTS/JPEG/TB-1280.jpg
1024x768: http://e1n.kefi.org/FANARTS/JPEG/TB-1024.jpgand now for some rant, if you wanna know how i work and wanna see the in-progress stuff of this piece, read ahead.
! now, some people have wondered what kind of thing would come out if EGGY and i collaborate on a piece. well, this is it. our very first collaboration. eggy had the idea of a thriller bark diner with 3 or 4 of the mugiwara being served by cindry, perona, and hogback. i like this idea and told him that we should make this a real spread before anime expo so we can sell it. however, when eggy was over at my place, he had a few postcards to finish and i had the skypiea postcards to finish too. so by the time those were done, i was too burnt out to make a huge piece, and thus we did not get any farther than planning out the layout of the diner and what character goes where and does what.
! here is what eggy and i planned out on my sketchbook:
http://e1n.kefi.org/FANARTS/TB/sketch.jpg
! as you can see, it's really sketchy and it's not exactly what the spread came out to be, but it gives a nice rough idea of who's gonna be doing what and interacting with who.
! so after eggy went back to canada, one piece's 10th anniversary came around and i felt obliged to draw something as a tribute. something more than just a little "HAPPY ANNIVERSARY OP" thing. and what easier to draw than something that's already planned out? and so i started drawing this last tuesday night. it would've been so much better had eggy been here to help out with drawing the girls, but you gotta work with what you've got.
! now, this is not intended to be a tutorial (who am i to give one, i've never taken an art class in my life), but i'd like to share my thought process while making this. take in what you think is useful for you, and ignore what you think is useless.
! this piece was decided to be a 2-point perspective piece with the setting of an american diner. so the first thing to do is to decide where the horizon line and the 2 points would be. turned out the perspective points are located outside the page. so i attached some scrap paper behind the bristol pad and attached a string to the points so i can use the string to draw the perspective lines. if you have a meter stick, that would work as well. i'm just cheap. don't forget to make sure the string is tout when you use it to draw a perspective line. this was what i had monday night (or tuesday morning) around 1am.
! tuesday evening, i started putting in characters. this is how the kitchen counter looks like that evening around 6pm while i was working: http://e1n.kefi.org/FANARTS/TB/IMG_0154.jpg
! when drawing in the characters, even if they're behind an object, i have the habit of drawing the whole body. this way i can see if there's something wrong with the perspective or proportion. for example, in this picture, robin's ass is way too big. so that needed fixing. from that picture also, you can tell that the dining table is rather low, because from simulating how she sits, you can see that her thigh/knee joint presses against the table's edge, and that's not how a dining table is designed (unless you want an uncomfortable one). there are a few solutions to this:
! 1. make robin's body smaller (bad, because then it would seem like she's sitting in a huuuuge booth, while diner booths are generally small
2. raise the level of the table, or lower the level of the seat (i chose to lower the seat because raising the table is a lot of work and i'm lazy)
! here i started drawing in luffy cindry and usopp .
! notice that cindry's pose here is different from what came out in the actual piece. eggy mentioned that cindry looks like she's looking at the plates instead of usopp, who she's throwing plates at, so i redid her head and made her look forward instead of down. notice also that the leg position is different. even when i have the whole sketch planned out, i like to experiment with different positions to see which pose comes out best on the actual board. i don't know if it's just my incapability, but i can never produced two identical drawings, so sketching on the board is like re-planning. here's cindry with a different leg position.
! i had some problem following the original sketch that eggy and i planned out. in the original plan, franky's toasting with bearsy with his LEFT hand. i thought toasting with someone on your RIGHT with your LEFT hand is really uncomfortable, so i changed it into toasting with RIGHT hand. this became a problem because franky's arm is HUGE and it takes up space. because of this, bearsy had to be pushed a to the left of the picture, and leaving only a small space for perona. in the sketch, perona is right next to bearsy while hogback is at the far left of the picture. because of this modification i had to reposition hogback. so instead of putting perona right next to bearsy, i moved her to the far left of the picture and put hogback in between the two, BEHIND THE KITCHEN WINDOW.
! as you can see, having the sketch planned out beforehand does not mean things will go smoothly. i still had to reposition some things. that last picture was how much i had on the board when i stopped drawing and went to bed tuesday night around 2am (or i guess that would be wednesday morning).
! notice also that sanji's holding a single rose here. i realized that drawing someone holding a single rose is really hard and i could not get it right. so i abandoned the idea. i also played around with the idea of putting absalom next to sanji holding another rose while sanji's kicking his face, but i could not execute that very well, and so i abandoned the idea. i get a lot of ideas after i started drawing, but sometimes i can't get them on paper the way i had them pictured in my head, so i tend to abandon these ideas and try to come up with different ones. i think it is better to revise your idea than to have it carried out in an unsatisfying manner.
! when i was working on wednesday, i abandoned the idea of sanji holding a single rose and instead gave him A DOZEN ROSES. this is what i had wednesday evening around 8pm.
! then i proceeded to add in a few more characters, like the squirells and dogpen. this is how the kitchen counter looked when i was working. notice i was also chatting on aim, which was quite a distraction.
! wednesday night i decided to start draft inking the piece. i call it "draft inking" because when you ink straight on the paper you did your pencil sketch on, when you erase the pencil, the ink will fade away and you'll have to reink again. so i picked my worst-shaped micron (almost dead 005) and started inking the whole thing really fast. at this point i don't really care about precision because the ink will fade away after erasing and any mistake i made during draft inking can easily be fixed when reinking or when applying highlights. this is what i had wednesday night (thursday morning) before i went to bed. i also decided to change cindry's arm position because after looking at the manga, i noticed that when she throws plates, she fully extends her arms. i'm a detail fetishist, so i like to make sure that little things are consistent with the original. these are not my characters, so i think it is common courtesy to stick with how the mangaka designed them to be.
! i spent all thursday evening draft inking and finished thursday night (friday morning) around 2am. this is how it looked like before i went to bed. notice i decided to change cindry's legs position again. i like to simulate what's going on as i draw to make sure they come out as naturally as possible. i believe that your own body is your best reference because 1) you don't have to pay money to see yourself naked and 2) you can make yourself do whatever embarrassing pose you want. so i tried simulating plates throwing and realized that it's easier to throw plates with my legs spread out. this is perfect because it gives space for brook's head between her legs. eggy came up with this idea of brook under the table peeking up cindry's skirt, and i thought it was brilliant.
! i made a mistake on zoro's sword. sandai kitetsu (the reddish sword) is supposed to have 8 cross-wraps on its hilt, not 6. but i inked this thinking it was 6 and there was no other way to fix it after inking, so i gave up on it and call it another imperfect piece because i was careless.
! friday evening i started final-inking and filling in the blacks. i used OP vol 46 as a reference of details that oda put in the clothes design. for example, the detail of the lace on robin's dress and perona's outfit.
! i also took some pictures while i was inking dogpen:
http://e1n.kefi.org/FANARTS/TB/IMG_0182.jpg
http://e1n.kefi.org/FANARTS/TB/IMG_0184.jpg
! i worked nonstop friday and finished the inking of most of the main characters. i also finished putting in the checkerboard pattern on the counter, which is a typical american diner tile pattern.
http://e1n.kefi.org/FANARTS/TB/IMG_0203.jpg
http://e1n.kefi.org/FANARTS/TB/IMG_0204.jpg
some quick imagegoogle search on "diner floor", "diner tile pattern", and "diner counter" gave nice quick references. if you ever need a quick reference, images.google.com is your best friend. be careful when imagegoogling certain things, though. i had to filter through some porn while looking up references for cindry's maid costume.
! the bad thing about working for a couple of days nonstop is that you get burned out. i slacked off the entire day saturday and even seriously considering giving up. i went out and ate some good food and saturday night i was good to go again. i started kinda late, around 11pm that saturday, and by sunday morning around 5am, i had completed all the main characters, as well as the floor and the design on the diner booths. looking for a reference for the sentence on usopp's banner thingy was a real bitch. i looked through every single chapter and none had a good clean view on the 2nd and 4th character. curses.
! sunday i spent the whole day thinking what i should do to fill in the wall behind franky and i came up with the idea of paintings/portraits. so i used this chance to include three other characterS: moria, gigolo of the wind, and cerberus. too bad cerberus' fox head is blocked by the plate. that fox was certainly amusing. these drawings are by far the HIGHLIGHT of making this big spread. they're less than 2x2 in size, but i had so much fun including scribbly details in them, like moria's hall and pile of skeletons and bones underneath cerberus.
! this is the last picture i have. this was how the spread looks like monday morning around 4am after i finished everything and applied some white ink for character outline. the only thing left to do at this point is to fill in the menu board and the kitchen behind hogback. i did this monday afternoon, and almost lost a week's worth of work when my phone rang and made me tip over the white ink bottle. good thing i have the reflexes of a mongoose and i grabbed the board before ink got on it.
! all in all, it's been a good, productive week. by far the best thing i have produced so far. this is actually a drawing that made me feel proud finishing it. there are still some mistakes and things i'm unhappy about, like how the word "ONE PIECE" and the caption should've been moved over a bit more towards the right and that the background behind absalom could use more work, but i'll not dwell on that. i looked back at my old drawings from 2004 and noticed how much i've improved over the course of 3 years. practice makes perfect? not really, but practice certainly gets you better, bit by bit.
! happy 10th anniversary once again, one piece. and thank you, oda-sensei; if it weren't for your manga, i would not have picked up pencil and paper again back in 2003. much thanks to those who bothered reading through this rant. the next piece will be better, i promise. -
That was incredible. I have no words to describe it better.
__So many awesome details.. "the only limitation of the drawing is the viewer" :o
EDIT:
Reading the rant, I see Eggy was involved too.. I guess he deserves some credit too. -
damn, can't you have Greg or anybody else in japan sit down in front of Oda's house until he shows up and give him this spread? he MUST see this one, dude. or at least send a copy countless times to WSJ?
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…......I'm speechless, I'm sorry. I know that's a pointless reply but I can't help it. You're everything I hope to one day be in terms of art.
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Detail is astounding. I hope going to school will enable me to put in that much detail.
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Awesome fanart e1n :)
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Absolutley stunning, e1n
I assume Brook Looking up Cindry's skirt was Eggy's idea?
Thanks E1n for the sig, and Traitor_Jim for the refine.
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Absolutley stunning, e1n
I assume Brook Looking up Cindry's skirt was Eggy's idea?
that's right. no one else could think of that except for him.
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That pic's amazing!!! :w00t:
Great job, e1n! :happy:
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@e1n:
so i can't draw toloveru style, majek, sorry. =P
first off, happy 10th anniversary, one piece. congratulations, oda-sensei, for making it this far. i truly enjoy reading OP and i hope it will have another 10 years of success.
this is not an aesthetically pleasing wallpaper, but if you wanna use it as wallpaper:
1280x1024: http://e1n.kefi.org/FANARTS/JPEG/TB-1280.jpg
1024x768: http://e1n.kefi.org/FANARTS/JPEG/TB-1024.jpgand now for some rant, if you wanna know how i work and wanna see the in-progress stuff of this piece, read ahead.
! now, some people have wondered what kind of thing would come out if EGGY and i collaborate on a piece. well, this is it. our very first collaboration. eggy had the idea of a thriller bark diner with 3 or 4 of the mugiwara being served by cindry, perona, and hogback. i like this idea and told him that we should make this a real spread before anime expo so we can sell it. however, when eggy was over at my place, he had a few postcards to finish and i had the skypiea postcards to finish too. so by the time those were done, i was too burnt out to make a huge piece, and thus we did not get any farther than planning out the layout of the diner and what character goes where and does what.
! here is what eggy and i planned out on my sketchbook:
http://e1n.kefi.org/FANARTS/TB/sketch.jpg
! as you can see, it's really sketchy and it's not exactly what the spread came out to be, but it gives a nice rough idea of who's gonna be doing what and interacting with who.
! so after eggy went back to canada, one piece's 10th anniversary came around and i felt obliged to draw something as a tribute. something more than just a little "HAPPY ANNIVERSARY OP" thing. and what easier to draw than something that's already planned out? and so i started drawing this last tuesday night. it would've been so much better had eggy been here to help out with drawing the girls, but you gotta work with what you've got.
! now, this is not intended to be a tutorial (who am i to give one, i've never taken an art class in my life), but i'd like to share my thought process while making this. take in what you think is useful for you, and ignore what you think is useless.
! this piece was decided to be a 2-point perspective piece with the setting of an american diner. so the first thing to do is to decide where the horizon line and the 2 points would be. turned out the perspective points are located outside the page. so i attached some scrap paper behind the bristol pad and attached a string to the points so i can use the string to draw the perspective lines. if you have a meter stick, that would work as well. i'm just cheap. don't forget to make sure the string is tout when you use it to draw a perspective line. this was what i had monday night (or tuesday morning) around 1am.
! tuesday evening, i started putting in characters. this is how the kitchen counter looks like that evening around 6pm while i was working: http://e1n.kefi.org/FANARTS/TB/IMG_0154.jpg
! when drawing in the characters, even if they're behind an object, i have the habit of drawing the whole body. this way i can see if there's something wrong with the perspective or proportion. for example, in this picture, robin's ass is way too big. so that needed fixing. from that picture also, you can tell that the dining table is rather low, because from simulating how she sits, you can see that her thigh/knee joint presses against the table's edge, and that's not how a dining table is designed (unless you want an uncomfortable one). there are a few solutions to this:
! 1. make robin's body smaller (bad, because then it would seem like she's sitting in a huuuuge booth, while diner booths are generally small
2. raise the level of the table, or lower the level of the seat (i chose to lower the seat because raising the table is a lot of work and i'm lazy)
! here i started drawing in luffy cindry and usopp .
! notice that cindry's pose here is different from what came out in the actual piece. eggy mentioned that cindry looks like she's looking at the plates instead of usopp, who she's throwing plates at, so i redid her head and made her look forward instead of down. notice also that the leg position is different. even when i have the whole sketch planned out, i like to experiment with different positions to see which pose comes out best on the actual board. i don't know if it's just my incapability, but i can never produced two identical drawings, so sketching on the board is like re-planning. here's cindry with a different leg position.
! i had some problem following the original sketch that eggy and i planned out. in the original plan, franky's toasting with bearsy with his LEFT hand. i thought toasting with someone on your RIGHT with your LEFT hand is really uncomfortable, so i changed it into toasting with RIGHT hand. this became a problem because franky's arm is HUGE and it takes up space. because of this, bearsy had to be pushed a to the left of the picture, and leaving only a small space for perona. in the sketch, perona is right next to bearsy while hogback is at the far left of the picture. because of this modification i had to reposition hogback. so instead of putting perona right next to bearsy, i moved her to the far left of the picture and put hogback in between the two, BEHIND THE KITCHEN WINDOW.
! as you can see, having the sketch planned out beforehand does not mean things will go smoothly. i still had to reposition some things. that last picture was how much i had on the board when i stopped drawing and went to bed tuesday night around 2am (or i guess that would be wednesday morning).
! notice also that sanji's holding a single rose here. i realized that drawing someone holding a single rose is really hard and i could not get it right. so i abandoned the idea. i also played around with the idea of putting absalom next to sanji holding another rose while sanji's kicking his face, but i could not execute that very well, and so i abandoned the idea. i get a lot of ideas after i started drawing, but sometimes i can't get them on paper the way i had them pictured in my head, so i tend to abandon these ideas and try to come up with different ones. i think it is better to revise your idea than to have it carried out in an unsatisfying manner.
! when i was working on wednesday, i abandoned the idea of sanji holding a single rose and instead gave him A DOZEN ROSES. this is what i had wednesday evening around 8pm.
! then i proceeded to add in a few more characters, like the squirells and dogpen. [this is how the kitchen counter looked when i was working](http://this is how the kitchen counter looked when i was working). notice i was also chatting on aim, which was quite a distraction.
! wednesday night i decided to start draft inking the piece. i call it "draft inking" because when you ink straight on the paper you did your pencil sketch on, when you erase the pencil, the ink will fade away and you'll have to reink again. so i picked my worst-shaped micron (almost dead 005) and started inking the whole thing really fast. at this point i don't really care about precision because the ink will fade away after erasing and any mistake i made during draft inking can easily be fixed when reinking or when applying highlights. this is what i had wednesday night (thursday morning) before i went to bed. i also decided to change cindry's arm position because after looking at the manga, i noticed that when she throws plates, she fully extends her arms. i'm a detail fetishist, so i like to make sure that little things are consistent with the original. these are not my characters, so i think it is common courtesy to stick with how the mangaka designed them to be.
! i spent all thursday evening draft inking and finished thursday night (friday morning) around 2am. this is how it looked like before i went to bed. notice i decided to change cindry's legs position again. i like to simulate what's going on as i draw to make sure they come out as naturally as possible. i believe that your own body is your best reference because 1) you don't have to pay money to see yourself naked and 2) you can make yourself do whatever embarrassing pose you want. so i tried simulating plates throwing and realized that it's easier to throw plates with my legs spread out. this is perfect because it gives space for brook's head between her legs. eggy came up with this idea of brook under the table peeking up cindry's skirt, and i thought it was brilliant.
! i made a mistake on zoro's sword. sandai kitetsu (the reddish sword) is supposed to have 8 cross-wraps on its hilt, not 6. but i inked this thinking it was 6 and there was no other way to fix it after inking, so i gave up on it and call it another imperfect piece because i was careless.
! friday evening i started final-inking and filling in the blacks. i used OP vol 46 as a reference of details that oda put in the clothes design. for example, the detail of the lace on robin's dress and perona's outfit.
! i also took some pictures while i was inking dogpen:
http://e1n.kefi.org/FANARTS/TB/IMG_0182.jpg
http://e1n.kefi.org/FANARTS/TB/IMG_0184.jpg
! i worked nonstop friday and finished the inking of most of the main characters. i also finished putting in the checkerboard pattern on the counter, which is a typical american diner tile pattern.
http://e1n.kefi.org/FANARTS/TB/IMG_0203.jpg
http://e1n.kefi.org/FANARTS/TB/IMG_0204.jpg
some quick imagegoogle search on "diner floor", "diner tile pattern", and "diner counter" gave nice quick references. if you ever need a quick reference, images.google.com is your best friend. be careful when imagegoogling certain things, though. i had to filter through some porn while looking up references for cindry's maid costume.
! the bad thing about working for a couple of days nonstop is that you get burned out. i slacked off the entire day saturday and even seriously considering giving up. i went out and ate some good food and saturday night i was good to go again. i started kinda late, around 11pm that saturday, and by sunday morning around 5am, i had completed all the main characters, as well as the floor and the design on the diner booths. looking for a reference for the sentence on usopp's banner thingy was a real bitch. i looked through every single chapter and none had a good clean view on the 2nd and 4th character. curses.
! sunday i spent the whole day thinking what i should do to fill in the wall behind franky and i came up with the idea of paintings/portraits. so i used this chance to include three other characterS: moria, gigolo of the wind, and cerberus. too bad cerberus' fox head is blocked by the plate. that fox was certainly amusing. these drawings are by far the HIGHLIGHT of making this big spread. they're less than 2x2 in size, but i had so much fun including scribbly details in them, like moria's hall and pile of skeletons and bones underneath cerberus.
! this is the last picture i have. this was how the spread looks like monday morning around 4am after i finished everything and applied some white ink for character outline. the only thing left to do at this point is to fill in the menu board and the kitchen behind hogback. i did this monday afternoon, and almost lost a week's worth of work when my phone rang and made me tip over the white ink bottle. good thing i have the reflexes of a mongoose and i grabbed the board before ink got on it.
! all in all, it's been a good, productive week. by far the best thing i have produced so far. this is actually a drawing that made me feel proud finishing it. there are still some mistakes and things i'm unhappy about, like how the word "ONE PIECE" and the caption should've been moved over a bit more towards the right and that the background behind absalom could use more work, but i'll not dwell on that. i looked back at my old drawings from 2004 and noticed how much i've improved over the course of 3 years. practice makes perfect? not really, but practice certainly gets you better, bit by bit.
! happy 10th anniversary once again, one piece. and thank you, oda-sensei; if it weren't for your manga, i would not have picked up pencil and paper again back in 2003. much thanks to those who bothered reading through this rant. the next piece will be better, i promise.Oh god, please please please make that a print that I can buy. Also, if it isn't too much trouble, would u mind making one with the BB pirates?
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e1n. Are you planning on creating that Thriller Bark one into a print? Thats my favorite out of all you've done, its just so awesome.
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yeah, i do. but not now. later after i get more spreads done.
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Ah! I just found Pandaman! Or e1n.. I'll let others find it, here's a hint.
It's not the One Piece logo.
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ha. good job. that pandaman was a last minute thing, but it works xD
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Found Pandaman in back near the zombie picture.
Also, I love the details, like Moria, Jigoruoh and Ceberus in the paintings, you really put a lot of effort into it. :) -
@Rai:
What the..
runs to search
EDIT:
Found it o_o that was fast. e1n, you are still no match to Oda's talents in hiding this laser-shooter bastard.ha. that's cuz i don't hide him among 20,000 other zombies. xD
besides, if no one had mentioned it, you probably wouldn't even know that there's a pandaman in there. xD
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L-look how small he was, you cheater! T-that doesn't count!
on alert for Pandamen in future pieces
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hey e1n, what's wrong with your women. I really like your women. eggy is good too, but your styles are both different you know. Your both good in your own unique ways.
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my women are not as sexy as majek would've liked them to be.
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majek needs glasses
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majek has glasses. and you need to learn to understand what you read. Only his Robin and Nami are not to my liking, their faces to be exact. <_<
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i did understand what I read. you don't like his nami or robin. I'm just saying I'm disagreeing with you. ^_^ e1n even makes usopp look hot.-
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Well then don't generalize my opinion about Nami and Robin's faces for all women e1n's drawn. <_<
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i'm not generalizing. @_@ "i think nami and robin's faces look good" ok.
your allowed to have your opinion, that's fine. I just wanted e1n to know, that even though you don't perfer nami's and robin's face, doesn't mean everybody feels the same. I wanted to give e1n another opinion.i get frustrated when people don't understand what i'm saying.
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The sexual tension between C U and Majek is at breaking point in this thread.
That is some damn fine piece of work there e1n. I love all the small little details and such. I bet your arm must have felt like falling off after a while.
