@Shiebs:
Where is Robby at this time?
If you really want my input on this just go back randomly 50 or 100 or 300 pages, or to the previous thread and just jump around at like 50 page increments. I'm sure in very short order you can find an argument that mostly fits this exact thing where you won't need to change a single word to fit the current argument. Feel free to just quote me if its going to be a design argument again dealing with the same characters we've been talking about for years now.
Here's two posts from 200 pages back, a year and a half ago. I literally didn't try to look any harder than that, I just went back 200 pages and this was the first post by me, and its on this exact topic. Again.
The point asked again and again and again, is where is that little bit of extra.
Oda gives all the strawhats little extra details, little bits that inform the character and their history and make them stand out, even among their peers. We've been over this a million times, we don't need to go over buzz cut/green hair/three earrings/multiple scars/triple sword for the entire crew again.
Where's Carrot's extra something, anything?
I've been asking this for months and no one ever has a good answer. They always fall back on "rabbit" related details, which just isn't enough when we already have "reindeer"… who has more thought and backstory put into his design. Chopper exists, so Carrot has to be just as special.
Less is fine for a secondary. She doesn't have a bad design. But a permanent main character, from Oda, needs more.
And in brief, in case the context doesn't make it clear, Chopper was already the first and only walking talking animal in the series when he showed up, that would have been enough by itself to guarantee a crew spot at the time. But he also had the unique hat, broken antler, blue nose, unique hands, and 7 transformations. All of that was right away, it didn't wait 200 chapters to give him a unique detail or first break his horn, it didn't take years before we first saw Hiriluk in a two panel flashback giving him his hat ,or develop his transformations later, he started with backstory details and history and multiple forms, all of which we saw pretty much immediately.
It's not just being unique. Because you can make any crazy weird shaped person for unique. Oda made one of the world leaders a guy with a big mustache and a sombrero with a cactus on it. And that stands out and is unique. But that's just general flavor.
It's the THOUGHT, the little details. The something that says Oda thought about an event that happened earlier in the character's life, or an accessory that has meaning to them or shows off their personality, that something that basically only they out of hundreds of characters possess, at the time of their introduction at the very least. An overall combination of traits that make them unique even among their own kind.
In Nami's case, she's the only orange haired character in the entire series pretty much. She has a tatoo with history on it, wears a weird compass on her wrist, always wears another bracelet there as well (from her sister), and at this point in the series has a giant floof of big hair, wields a bo staff, and now has a talking magic cloud. But most importantly, she was the first prominent female character in the series and was introduced in a standout distinctive way, in what, chapter 8? After being in the very first chapter color spread? And that by itself was enough at that point in time when story arcs were 5 chapters long and we'd met like a dozen named characters total. Her initial design probably wouldn't cut it as a crewmate if she showed up now for the first time, but her chapter 100 with the tatoo, compass, and bracelet would be something. Oda grew a lot as an artist in that first couple years. (And even Luffy the main character he's given a big X scar to in order to make him stand out more.)
Take Arlong for instance. He's got the crazy sawtooth nose. And that would be enough for a lot of creators. It's a standout unique feature that no one else in the series has had. But he also had the leather cap, the pronounced but thin lips, the bold patterened hawaiian shirt, a gold chain bracelet, two fluffy things at his ankles, two different tatoos, the spiky hair, the fin on his back, jagged teeth, the jagged blade. Everyone in his crew had the arlong tatoo, and we got context for the sun symbol later also shared by all of them (but not Nami!) He's even wearing rings on one hand, even though he webbed hands. But still, Compared to every other fishman in that arc he was completely distinct. Lots of details and thought and reiteration put into his design.
His main guys, Kuroobi, Chew, and Hachi also had some details to them and really stood out. Distinct mouth shapes, haircuts. Hachi had the extra arms and stickers, Karoobi the arm fins and twin pigtail and karate outfit, Chew had the blush on his cheeks and a necklace and a different tattoo from the others.. more detail, more thought, but still not as much as Arlon.
Compare all that to the other fismen, like these guys.
They get maybe an interesting detail apiece, a slightly different haircut or a weird jaw, but they're basically just wearing ordinary clothes and have no extra attention to detail, no backstory beyond the shared tatoo. Crab tatoo guy doesn't even look like a fishman. They are just background guys with no real effort put into them.
Or look at this concept oda did.
Those are guys were Oda just drew a humanized version of a kind of fish, got it in one go, and moved out without much change or modification or any further thought. Some of those made it to the story, some didn't, and you can see Chew before he was further refined. (There's also early sketches of Hachi where he was a girl.)
You look to any of the supernovas, warlords, strawhats, they're all brimming with the extra details and thoughts put into making them unique. If you comb through the scope of the series you can find a trait shared here or there, but if you put them in a room of other characters of equal standing, you can still tell they're important.