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    Throughout this month, we will be testing new features (like search) so you may experience some hiccups from time to time. We'll try to not be too disruptive...

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    Posts made by Kylor

    • RE: Official Wano Thread

      @ArseneWenger:

      About the Mane Mane no Mi, it was established when Bon Clay first appeared that he needed to touch the person's face with the right hand to copy him.

      It means, Higurashi had to touch Oden's face (THAT SEEMS IMPOSSIBLE FOR SOMEONE UNKNOWN TO HIM), Sukiyaki's face, Momo's face (which, also seems unlikely).

      Just can't buy it.

      Assuming that Higurashi had access to the faces of any younger, attractive ladies, it becomes VERY plausible that she could have touched Oden's face at some point. If she touches Oden, she can touch Momo.

      As long as she has access to someone who CAN be in a room with the desired target, gaining the right face isn't really that hard.

      EDIT: basically the same thing was posted before I could reply

      posted in Manga
      Kylor
      Kylor
    • RE: Next Straw Hat Crewmates (Vol. 7 - Wano)

      I'm for Carrot.

      I don't think there's any point in looking at a work of fiction as a series of pegs to be knocked down or empty checkboxes to be marked, I think if the needs of the writer align a certain way, whatever way, then everything else can bend to make that fit. So I won't comment on those details.

      But I WILL say, with my limited knowledge as a writer… with the way Carrot's been handled in the story so far, I don't see any way for her NOT to be on the crew eventually. If she leaves at the end of this arc, honestly I'll be completely baffled as to why she was ever there to begin with.

      Once again, I don't want to comment on patterns or such, except for one thing. Her inclusion doesn't fit the pattern of other crewmates, but there's never been a pattern to begin with and I can't imagine Oda putting such a restriction on himself. But there IS a pattern to be noted, and it says a whole lot: so far, her role in the story has been wildly inconsistent with that of other characters who HAVEN'T joined the Straw Hats.

      For the most part, Oda doesn't really let people be on the boat from one arc to the next without giving them a really good reason to be there. He wants the focus to be on the main cast, after all. The exception has always been for characters who enable the Straw Hats to go on the next adventure. Right from the moment she was named, Vivi was about getting to Alabasta. Law brought them to Dressrosa, Caesar was part of that arrangement, and the alliance is the throughline in the conflict against Kaido. Kinemon and Momonosuke kicked off Wano, etc. But Carrot? Carrot didn't get on the boat until they were already going to Whole Cake. Her being there had no impact on having them go to Wano. All that was already happening.

      So what has Carrot DONE so far? If we quantify this in terms of plot points, her part in Whole Cake was twofold. She was motivated by Pedro's death, and introduced us to Sulong. However. The main takeaway from Pedro's death, though, was that it motivated Carrot, working as the turning point, if you will, in her character arc. And Sulong, meanwhile, will surely have greater plot significance later, but there were already Minks in that arc, and a whole lot of them in the arc before. There were other times to let us know about Sulong, but as it was applied in Whole Cake, the big impact of that scene was to hype up Carrot. In other words. Both of Carrot's plot points in that arc, were for the sake of developing Carrot. Oda's a busy man with a story to finish, he wouldn't go so far to develop a temporary teammate if the only development was going to circle around back to herself.

      The real reason she was there, through Whole Cake and her small role in Wano, is to get us used to seeing her. The New World is super complicated, with a huge net of characters and plot points that overlap each other, so there's not really room to do a straight shot from Introduction to Join the Crew. So he's letting her endear herself to us, giving her small bits, and letting us see her as part of the group shots, so that we'll be already accustomed to having her be part of the team when it's time to leave Wano.

      The only other characters I can possibly admit to being similar to Carrot in their role so far is Johnny and Yosaku, but... c'mon. They didn't have the emotional pull that Carrot did, they didn't bond to any of the main cast like Carrot did, and they were never framed in the team moments like Carrot consistently has been. Her big moment will come, either as part of a fight, as a dramatic farewell during the Big Party that Luffy mentioned, or as part of some unseen plot development. It couldn't be in the recent crop of chapters because, well, it's Jinbe's hour atm. But Oda was certain to show Carrot as part of that, and always framed as another part of the crew. Maybe I'm misreading this, but I don't see why Oda would go through that effort just to throw it in the trash when the arc ends.

      posted in Manga
      Kylor
      Kylor
    • RE: General Blackbeard Thread

      Regarding whether or not Blackbeard can read poneglyphs, and the information recently learned about him, I've come to think that it's more and more likely that Teach actually isn't human. And with this most current flashback, I've also realized. Have we ever seen the guy without some kind of hat on?

      Y'all. What if Blackbeard himself is a three-eyes? Did we ever see Pudding sleep?

      posted in Manga
      Kylor
      Kylor
    • RE: One Piece Magazine

      I would read a Song-of-Ice-and-Fire-length novel series that was just about Smoker and Tashigi's adventures across the Grand Line.

      And as long as we're doing heroines. Please Robin. Just anything Robin related. That's all I ask for.

      Either way, so long as the Nami novel comes out with an English translation, that's gonna be an instant-buy from me.

      posted in Manga
      Kylor
      Kylor
    • RE: Funimation DVD Discussion IV (Please Check First Post for FAQ)

      Good possibility: Punk Hazard
      Great possibility: Punk Hazard, simuldub, Romance Dawn
      The impossible dream: MOVIE 6. MOVIE 6. MOVIE 6.

      posted in FUNimation Media Discussion
      Kylor
      Kylor
    • RE: Theories That Don't Deserve Their Own Thread v.2

      So I had this theory like two years ago, never got around to mentioning it, but thought it would be worth bringing up now. It has some shades of theories already brought up in this thread, but (from what I've seen, though I've only skimmed lightly) my version has a few differences that I think are worth mentioning as its own thing. But, basically…

      The alliance between Big Mom and Kaido isn't the only alliance between Emperors right now. Shanks and Blackbeard are also allies, or at least working towards the same goal.

      We know very little about either of them, but across the board, two things have remained consistent. The first is that they both are very occupied with fate, or seem to be convinced that events are happening on a preset path and any aberrations from that path are to be avoided. Blackbeard's comments on fate are well documented, but also note many of Shanks' more cryptic words, like how it was "too soon" for Ace and Blackbeard to fight, which are weirdly similar to some of Blackbeard's lines. The second similarity is how much they go out of their way to avoid actually fighting or meeting each other. Shanks cautions Whitebeard to avoid any confrontation with Blackbeard whatsoever, meanwhile his arrival at Marineford feels almost deliberately timed to give Blackbeard an easy opening to escape after all his objectives have already been met. With so much about the two unknown, apart from the fact that they share a history (we know that Blackbeard gave Shanks his scar but nothing else) it's entirely within the realm of possibility that they've been collaborating behind the scenes, orchestrating Blackbeard's rise to power, in order to fulfill a prophecy they both believe in.

      I think that they both want to see a full return of the Ancient Kingdom and/or the Clan of D, perhaps following the same vision that Rocks had, and the key to doing that is on Laugh Tale. But, there's a price to pay for getting there, and that only a D is able to pay it. (remember that basically anyone in a position to go to Laugh Tale or who might know what the One Piece is, doesn't want it) Or, perhaps, the Prophecy dictates that all D's except one need to be killed off before one single carrier of the Will of D is left to inherit the world on his own. Blackbeard obviously sees himself as the one to do this, but can't achieve his dream without also suffering the price. The solution? Build up a sacrificial D, give him the hat of destiny and enough motivation to plunge ahead on his goal, do the minimum to nudge him along the right track, wait for him to open the path to Laugh Tale, not knowing the terrible consequence or the prophecy... and then swoop in and take the prize once the conditions are met and the price is already paid.

      The thing is, while Blackbeard clearly sees the One Piece and the title of Pirate King/King of the World as his right by fate and wants it for his own gain, Shanks might genuinely think that the ultimate goal of bringing back the Ancient Kingdom is for the greater good, and would be alright with Luffy somehow subverting their design, so long as he still fulfills the conditions of the prophecy instead.

      posted in Manga
      Kylor
      Kylor
    • RE: Chapter 956: BIG NEWS

      I'm late to the conversation on Imu, but I'd still like to add my agreement regarding what others have said, while also agreeing that, if she was indeed some final villain of incredible power that needs to be punched in order to set the world back to its Proper Order, it would be an extraordinarily bad move on Oda's part. But she seems like more of a symbol, both in-text and in a narrative sense. Imu represents the underlying fraud behind the World Government, the lie that all nations have an equal seat at the table, that Garp took a shot at in this chapter. She's that but literal, the proverbial "man behind the curtain" that's pulling the strings and guiding the world to keep the power structures from ever changing. I don't think Luffy necessarily needs to beat her in a fight, or even meet her personally, just her existence being exposed to the world would probably be enough to knock her (and the Gorosei who support her) toppling down from the pedestal. Throwing my own theory in, I think it'd be neat if the one to do that would be a Marine, either Coby or Smoker would be fitting for the job.

      Then again, that's only from what we know about Imu right now, and Oda does love to throw surprises at us, so her real nature might be totally unexpected and off the rails. That, I think, might just be the best option.

      posted in Past Chapter Discussions
      Kylor
      Kylor
    • RE: Act-Age

      Angel's fine. Her attitude is troublesome for sure, but at the same time she has a level of pragmatism that's understandable and outright common for the work she does. Ogami, however, would probably be run out of town in minutes in any real-life scenario.

      Meanwhile, the current arc is just laughable for me. It's like that Sir Ian McKellen scene from Extras, if it was played completely seriously and everyone was super impressed by it for some reason. I love how dumb it is.

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: Act-Age

      Heck yeah, Act-Age! I've been following it pretty regularly, and have been consistently delighted by it. The main character is just top-notch, and there are some just stellar story beats in there. The accuracy is… well, it's a joke, and its misrepresentation of method acting is actively harmful if anyone reads this and tries it without knowing what they're doing, but the narrative is interesting enough that I don't care. Yeah. I wanna punch some of the characters, not always in a good way, but it's fun and compelling, and I recommend giving it a shot if you're into more contemporary drama-based stories in your shonen.

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: Next Straw Hat Crewmates (Vol. 7 - Wano)

      I mean, Usopp's good at aiming, sure, but his role as marksman seems pretty arbitrary, and his eventual goal of "being brave" can be accomplished without specifically being a marksman. He didn't even have a set job at all until after he joined and Luffy was just like "uh, guess we can let that be the thing that you do."

      AND, one can argue that one can look at the role of "lookout" as just a catchall term for the wider job of seeking out and obtaining important information, something that Carrot has already been proven to be good at and fits within her role so far. Not to say this proves that she'll join, but letting her be the lookout makes actually more sense on a narrative level than, say, Jinbei as helmsman.

      posted in Manga
      Kylor
      Kylor
    • RE: Next Straw Hat Crewmates (Vol. 7 - Wano)

      @Cockycent:

      Caesar's role is filled through Chopper's medical practice and Franky's engineering. 1 aiming to be a great doctor and the other being an indirect pupil of Vegapunk. It can also be said that Brook and Zoro are both swordsman, but those aren't their roles. Zoro is the VC, who can put things into perspective and lead, while Brook brings the spirit with his music, no pun intended. I don't see anything for Caesar being a crewmate. The story is more likely pointing for a Bellamy, Caribou or Croc like relationship, where Caesar gets a little development, then becomes useful to the crew 1 day.

      I didn't specifically mean Caesar in my post, (though I will debate your point, as the way the plot/worldbuilding is going could very much allow for a catch-all "scientist" role on the crew, for all the areas that medicine and engineering don't cover) and at this point Oda would have to do some bending over backwards to bring back Caesar in that capacity, much as I will continue to mourn my beautiful brilliant evil boy.

      I just was talking more generally. Personally, I would love to see how a character whose first instinct is and always will be rotten, who, if left to their own devices, would rather rob the friendly island than put themselves at risk saving it from evil pirates. If there's going to be anyone new at this late stage in the series, it should be someone who could change up the dynamic, who could interact with the characters in a way that no one else would. What better way than someone who questions the crew's very moral compass? It's been argued that Robin kind of fits that description since she was a villain at one point, but even then it was made clear early on that her first instinct was towards good and all she needed was a place where she could be her natural good self. It would be interesting to see the reverse of that, someone who is in their most natural state doing the wrong thing, and yet goes against their nature to join the crew anyway. And it would be even more interesting to see them in situations where their pragmatic solution is the one that wins out. After all, One Piece hasn't had a proper Vegeta-type character yet, but Oda has already shown that, on a comedic level at least, he's absolutely brilliant at writing baddies who fail so spectacularly that they trip backwards into being heroes. I wanna see what that would look like on the long-term

      And I think Oda might have opened the door for that.

      posted in Manga
      Kylor
      Kylor
    • RE: Next Straw Hat Crewmates (Vol. 7 - Wano)

      Okay, okay, but on a completely unrelated note. I'd like to alert everyone to the irrefutable fact that the latest chapter confirms that, when deciding who does and doesn't get to join him, morality does not play a particularly big role in Luffy's process. Just so long as they show literally the bare minimum of change or redemption.

      Meaning, my dream of one day getting an Actual Chaotic Evil crewmate in a future arc is still on the table.

      This is the best time to be alive, you guys.

      posted in Manga
      Kylor
      Kylor
    • RE: Pokemon Sword and Shield - Galexit Edition

      Psyduck
      Donphan
      Mismagius
      Meowth
      Mimikyu
      Haunter
      Shroomish
      Hydreigon
      Typhlosion
      Meloetta

      Only the first five or so are in any kind of order. Clearly, I have the finest of tastes.

      posted in Video Games
      Kylor
      Kylor
    • RE: The Vic Mignogna Situation

      It's funny to me, the idea of Funi "rehiring" him, as if they otherwise have some obligation to keep giving him roles. Like… popular or not, he's still an actor. It's up to them whether or not to cast him in anything, at all. And if nothing else, the news coming to light, especially from those that personally know him, paint him as someone that's, let's be as kind as possible, hard to work with. Actors get phased out and stop getting roles all the time because of things like this behind the scenes. Nobody wants to cast an actor who will make the process more difficult for the cast and crew, especially when there's other actors out there. I cannot stress this enough, being good at collaboration is essential to a collaborative process.

      To be honest, for his fans it's worth it to remember that his sheer popularity is the only reason we know about this at all. Considering the weight of the claims against him, anyone else would have been quietly dropped years ago and nobody would ever have said anything.

      posted in FUNimation Media Discussion
      Kylor
      Kylor
    • RE: The Promised Neverland

      @andre:

      Norman is my guy. I'm rooting for him to succeed 100 percent. Emma is just a nuisance at this point, though I have liked her character before all of this.

      That's a severe underestimation of Emma's character. It's easy to see her as a hindrance due to her idealism, and not always having the same access to information that Norman and Ray do. But her perceptions and ability to play the game are just as top-notch, if not even better, than Norman. While she does act with empathy more than logic, she's proven quite good at using that to predict what others want and using that to her advantage.

      Can't say quite where this is going, but it's a pretty safe bet that Norman's plans are going to go south at some point, and Emma will be the one to see it coming.

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: Rank Piece

      Character development:

      1. Zoro: the understated journey of a man
      2. Robin
      3. Usopp
      4. Vivi
      5. Bellamy
      BONUS 6. Crocodile: a slow journey that I can't wait to see fully realized

      Moms:

      1. Bellemere
      2. Makino
      3. Kureha

      Luffy losses
      1. Everything slowly coming apart in Water 7
      2. Everything immediately coming apart in Sabaody
      3. Luffy facing a villain he just can't beat in Magellan
      4. Crocodile gives Luffy the hook
      5. Yeah Marineford I guess

      posted in Manga
      Kylor
      Kylor
    • RE: ONE PIECE Opening 21, SUPER POWERS by V6 (Inuyasha Opening 1) Debuts October 7th

      Sure does have a lot to live up to, huh? It's like in order to really surpass Hope, it's gonna actually have to CHAAAANGE THE WORLD~~~

      …

      Yeah, I'll show myself out.

      posted in Anime
      Kylor
      Kylor
    • RE: Channel Awesome, AVGN, and other web review shows

      I mean, I dunno. I kinda thought The Last Jedi was the only Star Wars movie that I actually really liked. I mean, on more than a cultural context level, or a base appreciation for a few isolated elements.

      Visually it was jaw-dropping, thematically it was seamless, the characters were all square and solid, and the ending was outright lovely, leaving me stunned and conflicted in a way that no Star Wars had… ever. It's one thing to spend seven movies talking about how important and Lawfully Good the Jedi are, but for the first time since I was a little kid, I really felt like being a Jedi meant something. That I was seeing the end of one mythology and the beginning of another. I mean, maybe I'm not the best person to be advocating for it since, as you can tell from my first post, I was never the biggest Star Wars guy (I thought that the best one aside from this was merely good) but still. I think TLJ was what made me see Star Wars the way real Star Wars fans see Star Wars.

      posted in Media
      Kylor
      Kylor
    • RE: Rank Piece

      1. Robin
      2. Vivi
      3. Kureha
      4. Carrot
      5. Monet
      6. Big Mom
      7. Nami
      8. Belle-Mere
      9. Tashigi
      10. Bonney

      posted in Manga
      Kylor
      Kylor
    • RE: RIP Those We Lost in 2018

      @Ubiq:

      Scifi writer and legendary curmudgeon Harlan Ellison passed at age eighty-four

      Nowadays Ellison is mostly associated in the general public opinion with his getting mad and picking fights with people, and to be fair that's entirely earned on his part. But still, I'll remember his short stories and the anthologies he edited as being a huge part of my getting into speculative fiction and genre literature, as a high schooler. Don't know if I'd be the writer I am today if it wasn't for him.

      This is really a dark year for great writers, isn't it?

      posted in Media
      Kylor
      Kylor
    • RE: Best of the Best

      Literally only applies to how I feel right now, though some of these are forever favs:

      Books: Howl's Moving Castle by Diana Wynne Jones, The Night Circus by Erin Morgenstern, A Tale for the Time Being by Ruth Ozeki, Hard-Boiled Wonderland and the End of the World by Haruki Murakami
      Manga: One Piece, Fullmetal Alchemist, Vinland Saga, Lucifer and the Biscuit Hammer, A Silent Voice
      Movies: Princess Mononoke, Moonrise Kingdom, the Princess Bride
      Anime: Kyousougiga, Legend of the Galactic Heroes, Paranoia Agent, Kiznaiver (but only episode 7)
      TV Shows: Firefly, Gravity Falls, the IT Crowd, Monty Python's Flying Circus
      Podcasts: Clarkesworld, Anime World Order, the Soundtrack Show, Revisionist History
      Video Games: Undertale, Majora's Mask, Katamari Damacy
      Musicians: Katzenjammer, Amanda Palmer, the Civil Wars, Akiakane
      Web Shows/Youtube creators: Homestar Runner, Lindsay Ellis, Movies With Mikey, Game Grumps when they talk about life stuff
      Musicals(because why not): Into the Woods, Be More Chill, Natasha, Pierre, and the Great Comet of 1812

      What my tastes say about me, I'll leave open to interpretation.

      posted in Media
      Kylor
      Kylor
    • RE: Chapter 904: The Entrance of The Revolutionary Army Commanders

      @Captain:

      Of course, of course, I was more using trans as a blanket term for people outside the gender binary than I was trying to say they fit the term exactly. Genderfluid would definitely be a better description of how they are, so you're 100% right.

      One thing I think is real interesting about the portrayal of these things, and I couldn't say if this is an Oda thing or a Japanese language thing, is personal pronouns. With Japanese having gendered personal pronouns, you'd think it'd make for a really easy and obvious way for a trans/fluid/queer person to show how they want to be called, just by using a masculine or feminine I/me. But there's an odd disconnect - Big Mom used masculine pronouns for herself, but there's obviously no question what her gender is. Morley uses feminine pronouns and Ivan has totally made up (or maybe just heavily accented) ones, but both have male pronouns used when other characters talk to and about them, and it's not shown to be any kind of a problem. There's some kind of disconnect between first person gender expression and what's expected from people referring to them in third person that doesn't translate at all.

      I'm not the one you're addressing here, but this answers the question that I had perfectly. (didn't see access timeco's post, sorry) Yeah, I do absolutely get that the way the Okamas are portrayed is harmful, but I guess that aspect of it never really hit me as strong as it should have, purely because of just how cool and fun they are, particularly in comparison to similar characters in shonen. I dunno, maybe it's just because media in general is so lacking in characters that exist so outside the gender binary, and are just so completely happy with who they are and are never compelled to change, that I find these characters so refreshingly delightful, even if they're otherwise part of a really bad trend.

      posted in Past Chapter Discussions
      Kylor
      Kylor
    • RE: Chapter 904: The Entrance of The Revolutionary Army Commanders

      About the okama discussion… I might not be the most learned person in this thread, and certainly not one whose words should be taken definitively, but are they trans? Yes, it's true that there aren't really any other trans characters to contrast them with, but keep in mind they practically live with someone whose power is literally to flip hormones, and there's a marked difference between them and those that Ivankov has actively worked his powers on (like that one king that was mentioned in Ivankov's introduction, and, uh, Crocodile maybe?). I think they might just be really devoted drag queens, but not actually trans. Or, more likely, like the transylvanites from Rocky Horror, in that they don't really stick to any identity outside of what gives them pleasure.

      As far as Sanji's reactions to them, yeah that's a problem, but he's the only one who acts the way he does so it's clear that Oda's trying to show his personal hangups rather than making a big statement. Does that mean that Oda's depiction of Okamas is beyond criticism, HELL NO it isn't, it really really isn't, but I'm not sure if the problem to be addressed is being correctly diagnosed, is all. But again, I could be wrong.

      posted in Past Chapter Discussions
      Kylor
      Kylor
    • RE: How was your Day 2 (general chat)

      I'm nowhere near London, but I hope the seminar at least mentions Kyousougiga (it's pretty niche and easy to overlook especially in a broader scope, but has a really unique take on the source and could really use the exposure).

      Anyways, that is a rather interesting topic, and I'm glad someone's going in-depth on it.

      posted in General Discussion
      Kylor
      Kylor
    • RE: Rank Piece

      Flashbacks

      10. Senor Pink
      9. Brook
      8. Doflamingo
      7. Fishman Island
      6. Those four panels of Whitebeard's backstory at the end of chapter 576
      5. Big Mom
      4. Nami
      3. Chopper
      2. Robin
      1. Noland and Calgara

      posted in Manga
      Kylor
      Kylor
    • RE: Rank Piece

      10. Whiskey Peak
      9. Jaya
      8. Punk Hazard
      7. Syrup Village
      6. Whole Cake
      5. Skypeia
      4. Arlong Park
      3. Alabasta
      2. Drum
      1. Water 7 (Which is not the same arc as Enies Lobby. If it is the same arc, move it back three spaces)

      I CALLS IT LIKE I SEES IT

      posted in Manga
      Kylor
      Kylor
    • RE: The Whole Cake Island Whole Arc Discussion Thread - Reviews for Totland

      @.access:

      That said, this leads to another thing that bothered me: the Charlotte family is famous for establishing connections through marriage and yet, except for the two daughters married with the two traitorous crews, we didn't saw a single Charlotte who seemed to be married. Chiffon and Praline both seemed to be heavily integrated into their husbands crews, so you would think if any of the other kids staying in Totto Land was married, the crew/organization they were married into would have at least some representatives around. But no.
      That could be explained by the married kids being away with their own families instead of in Totto Land, but judging from all the recurrent BMP we saw in this arc is very likely we already met every single one of BM's sons and daughters (meaning only Lola was not around in this arc and maybe one or two others).
      It's like the primary concept behind the Charlotte family was forgotten as soon as it was presented and served its function (set the WCI arc into motion with Sanji and Pudding).

      Given how every marriage we've seen eventually turned out, it's not hard to imagine that those Big Mom allies herself with don't end up sticking around too long after they stop being useful to her. She probably does use her children for arranged marriages quite often, but there are a lot of self-made widows in the Charlotte family.

      posted in Manga
      Kylor
      Kylor
    • RE: The Whole Cake Island Whole Arc Discussion Thread - Reviews for Totland

      To be fair, ending an arc with a strong focus on Sanji's value as a kindhearted, empathetic person by having him beat the crap out of some dude would be a bit conflicting, wouldn't it? I mean, I get that it's an action story and so the worth of a character is often evaluated by his feats in battle… but such is the pitfalls of the genre.

      posted in Manga
      Kylor
      Kylor
    • RE: My Hero Academia II - A true Hero

      Forgive me if I'm misinterpreting, but doesn't that make Deku's position even worse? Like, "I don't want it to come out that there might be a security fault, because my school would be held accountable for not doing a good enough job and that would be bad for me personally"?

      I mean, I'm conflicted because of the emotional investment in the festival and whatnot, and I certainly don't think Izuku should just react like, "oh nevermind carry on then," but it does seem like he's willfully overlooking the bigger picture here. OH HEY that's a thing he's done before and has been called out as such, I wonder if that'll come up again here.

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: My Hero Academia II - A true Hero

      Hm, can't say I was too happy about this chapter, because I really didn't like seeing Gentle get absolutely nothing but punishment after all his efforts… but then again, after thinking about it, I've finally come to understand, this might be the point. It's not satisfying for us, because at the same time, it can't be a satisfying win for Deku either. He managed his goal, saved the festival, and beat a strong opponent, but he had to crush the aspirations of someone who came from a really similar place as him, and more importantly, in doing so, he pretty much did the same to La Brava. The fact that not every battle can be as easy as Good, Upstanding Heroes against Cruel, Dastardly Villains must be a really hard pill to swallow for someone who's lived his whole life trying to be good and upstanding... and, if the series is going where I think it is, is finally starting to realize that he lives in a society that pretty much forces people to fall in one position or another. So, I'll react as Horikoshi intended, and reflect on this chapter with a feeling of bitter acceptance.

      That said, I do hope this isn't the end for Gentle and La Brava. They probably won't end up as I wanted and become a recurring Team Rocket pseudomenace, or a pair of unintentional heroes a la Isaac and Miria, but I'm sure there's a place for them anyways, if only as a counterpoint to keep exposing the ugly dark side to hero based societies. After all, if villains like Gentle aren't around to expose the faults of seemingly law-abiding people, who will?

      Now this has gotten me thinking, has All Might also been confronted with these dilemmas? Would be interesting to see his take on it if he has... and grimly compelling, if he hasn't.

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: The Whole Cake Island Whole Arc Discussion Thread - Reviews for Totland

      I wish there was a choice in-between the first and second options on the poll, haha.

      Absolutely, I think this is the best arc post-timeskip, and easily one of the best major arcs a rung down from, say, your Water 7s and Alabastas and the like. And I think, right away, it's hard to qualify where it stands as an arc, because it sticks out from the others in pretty much every major way. If I'm going off of design alone, Whole Cake and the surrounding islands are easily top-class. Sanji's character arc challenges him in a way that's refreshingly new for a Straw Hat. The Charlottes, as a whole, also stick out from the crowd, and have way more layers of complexity to their narrative than the standard mook lineup… because they're not a mook lineup to be knocked over, they're a huge force in the world on their own, and most interestingly, they'll continue to be so later, making this another huge reason WCI's hard to quantify, it's so layered in what came before and what's going to come after. And of course, there's the side characters, and I'll put down my foot here, that put together, the minks, the Firetanks, and Caesar, make up the most flat-out fun support gang we've had from an arc like this. And hey, this arc warmed me up to the idea of Jinbe again! That's a huge feat! What stands out the most to me in this arc are the emotional beats from the heroes and villains alike but especially from Sanji and Katakuri (you can't beat the wet cig scene. You just can't) and the sheer threat scale of the arc. Big Mom ended up being both a uniquely cool and delightfully creepy villain, and the fact that she alone made this both the most whimsical and one of the darkest arcs is a blending of flavors that even a master chef would be proud of. This is the first arc where the New World actually feels as threatening and challenging as it was hyped up to be, and the stakes introduced here are pretty much the one thing keeping me excited for Wano.

      But then, of course, with all this crazy new stuff, there are things that simply don't work. Pudding started out kind of dull, became really interesting, then nosedived to the point where I almost stopped reading the manga out of sheer frustration for how Oda writes women, and it's an achievement in writing that Oda even managed to level her out again by the end. The one thing that could possibly be worse than that is the Vinsmoke siblings, who ended up being, wow, just a massive disappointment. Seriously, Sanji has three brothers, and Oda just had to give them all the same personality, and also make that personality terrible? The arc also does that whole post-timeskip thing where he has too many threads going on at the same time and some of them are bound to be more interesting than the others and waiting out the lesser ones to get back into the scenes with more investment can make the arc a huge chore for the reader, and the constant breaks don't help that at all, even if the reason for them is understandable. It also doesn't help that, even in the best parts, it feels a bit watered down because Oda doesn't have the freedom to sit in one moment for longer than a freaking page, again a consequence of how many things there are to get to and how thin one can stretch the reader's patience, but having everything play out in quick vignettes rather than having any actual scenes leaves one lacking in the long term. The wedding cake business, for example, could have been much better on its own, but when it frequently cuts to unrelated material, runs over the course of a year, and then is resolved in a way that's too fast for its own buildup, it leaves us feeling stuffed but not satisfied. But I digress, as this is leading to more a complaint with how One Piece is these days, and not anything specific to this arc. What really needs to stop, though, is cliffhangers that seem insurmountable and imposing, followed by a two week wait, only to resolve in an easy answer in the first few pages of the next chapter. That's called cheating.

      Ah dang, didn't mean to write a big post this time.

      Overall though, I did really like this cake. It had a lot of layers, and most of them are tasty, and most importantly, Oda proved that, even 20 years into its run, One Piece still has new things it can do. And that's the brilliant thing about a work with a lot of new stuff, some of it doesn't work, but pretty much everything can surprise you, and I've always been one to favor something that's shaky but interesting, over something good yet calculated. Sweet, and risky… how fitting, no?

      posted in Manga
      Kylor
      Kylor
    • RE: Disney animation thread

      Probably the worst part of all this is, that they're doing a not-romantic mentor-type figure… and NOT having Jackie Chan play him. Like, come on, that would have been perfect!

      (For clarification, he did Shang's voice in the Chinese dubs of Mulan)

      posted in Western Animation
      Kylor
      Kylor
    • RE: Pixar movies

      Is it weird that the thing I found most exciting was, that Frozone finally found his super suit?

      posted in Western Animation
      Kylor
      Kylor
    • RE: Channel Awesome, AVGN, and other web review shows

      @Long:

      Someone mentioned Llocm addresed the matter, but with him and tamara being the talemt and not doing a lot besides the videos and tamara's logs they probably have onky seen the good and I bet they've been really shocked. They probably are actually friends with Doug as well.

      Also, iirc, they were only brought on after To Boldly Flee, which would mean that they never saw many of the production-level complaints that are just coming to light here. It's conceivable to me that Doug may have simply learned his lesson since then, and things are genuinely better on the sets now. Of course, none of that excuses the wretched goings-on on the business side, or the noticeable silence on the part of the Walkers regarding that. I also must admit that much of this has to do with my own biases, I don't really watch video reviews anymore besides Ellis', but the anniversary movies came at a time in my life when making fun little movies like that with friends seemed like just the best thing ever, so having that dream soured like this has been a bit rough, even though it's REALLY none of my business whatsoever.

      And having typed that, I must ask myself again, "if there has been an attempt to improve things behind the scenes, why wouldn't that be more transparent in the apology?" Not that I really need to know one way or another, again I have no involvement as anything other than an outside observer hearing everything secondhand. But I DO know, as an actor, how easy it is to go on completely and blissfully unaware of all the shady crap, unless you're one of the parties directly affected. And knowing what little I do about Doug and Channel Awesome, I think this may be part of it, that Doug is trying to be hands off and entrust the business part of the site to others, and just made the really unfortunate mistake of putting faith in the wrong people. But the problem is, he IS one of the parties involved whether he wants to be or not, and the fact that the time he could have stepped in and actually said something, addressed the core issues before they even became known to us, has long passed by now, is really sad.

      posted in Media
      Kylor
      Kylor
    • RE: My Hero Academia - Gomu Gomu no Gentle Fist

      Okay so, while I did like the most recent chapter, it further cements for me, that by this point I'm just straight-up hoping for the villains to win this one. As in, I'm actively rooting against Deku, and like him less as a hero for trying to get them arrested. Which, I mean, good on Horikoshi for writing such likeable characters in the first place, but I doubt this was what he intended.

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: Chapter 900: Bad End Musical (Break)

      After hearing the One Piece Podcast take on the chapter, I've been getting more and more interested in hearing Big Mom's song put to music. The way Stephen translated it, and keeping in mind the Disney-esque song bit in the most recent anime episode, I'm definitely getting a Sherman Brothers kinda vibe, that maybe gets faster and more Danny Elfman as it goes. Either way, it's fun to try and figure it out in my head while I'm reading it.

      posted in Past Chapter Discussions
      Kylor
      Kylor
    • RE: Noah's Notes

      Regarding Mirai, I actually talked to my teacher friend about her recently, with much of the same concerns as everyone else, coming from the perspective that her motivation was too simplistic and sexist. Her take was, "no, it's about right." I think perspective is a big consideration for her in this case, and it's clear she was set up with a lot of room to grow. So I'll hold of on coming down on her too hard… for now.

      As for the rest of the chapter, it's pretty much all about archaeology, as I understood it when I was five and wanted to be an archaeologist, and for that reason alone I love it. I really like how it presents history, and am looking forward to seeing how the intrigue continues. Too many interesting starts have hurt me, but so far, I'm hopeful!

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: My Hero Academia - Gomu Gomu no Gentle Fist

      I see Gentle and La Brava as more of an Isaac and Miria kinda duo, myself. They might fall on some rough times here and there, but they'll always come back, ready to make people smile.

      At least, I hope that's what ends up happening. Please Horikoshi, protect them.

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: Disney animation thread

      Didn't that movie already happen like a few months ago? I could be wrong, but I was almost sure that a Christopher Robin movie was released not very far back at all.

      posted in Western Animation
      Kylor
      Kylor
    • RE: My Hero Academia - Gomu Gomu no Gentle Fist

      For some reason, I imagine Jiro's singing voice being something like this:

      !

      Again, excellent chapter, still hoping hoping against hope that the arc never ends. Any time Mineta is actually really funny, you know there's some magic at work.

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: My Hero Academia - Gomu Gomu no Gentle Fist

      So yeah, I think now is when we can all make it official, that this arc is the best thing ever.

      Gentle and La Brava seem to be shaping up to be like the Isaac and Miria of the MHA world. Also, they are fantastic and I love them. Now that Jiro's in the spotlight, I've also found myself really liking her as well. I hope things turn out okay for her.

      I said it in my last post here. I'll say it again. Stuff like this is what the manga world has been seriously lacking as of late.

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: My Hero Academia - Gomu Gomu no Gentle Fist

      Seconding all the people who have said that the series is at its best when it's more about character interaction and slice-of-life than it is the serious action stuff. I mean, honestly, I already care way more about this goddamn festival dance party than I ever did about fighting the Yakuza or whatever it was that happened last arc.

      And yeah, it was really cute when Jiro got that encouragement from the Electric Traitor. I'm looking forward to seeing where that goes.

      posted in Other Manga/Anime
      Kylor
      Kylor
    • RE: General 'Four Emperors' Discussion

      @Monkey:

      There's only two ways for a fight like that to not suck.

      1. It's played semi-lighthearted, as having no real stakes outside of pride. So no death, and no real plot involved around it.
      2. It's played as tragic.

      For what would be the ultimate Zoro fight in the manga neither of these make any sense at all.

      But, the way Oda's written the story until now, the second option is kind of impossible to avoid, no matter what Oda does. Not tragic maybe, but at best Zoro's victory can be only bittersweet. Either Zoro has to confront and then defeat a mentor he's grown to care about, or, if Mihawk dies and Zoro has to avenge him, his final battle will be a sad, disappointing reminder of the duel we were promised and never got to see. One of these is sad, yes, but cathartic and satisfying, while the other one would be cool and nothing else.

      The culmination of Zoro's arc will be a duel against a man he's hunted for years, but he's learned to see Mihawk as more than a target, but as a person, giving the title he earns at the end more weight than it had before. I fail to see how that's not a fitting end for him.

      posted in Manga
      Kylor
      Kylor
    • RE: General 'Four Emperors' Discussion

      I mean, maybe if Mihawk was shown doing more than just the most basic long-distance air slash against Jozu, or if he had a definitive line like, "zounds! I have been thwarted by diamond, the material that I am not swordsman enough to cut!" then yeah, I could see that being buildup to the scenario that seems to be the common theory. As it is now, though I do agree that, whether it's Jozu or Shiliew or whatever, Zoro will absolutely cut a diamond guy at some point, I don't see this as being a good enough justification to replace the WSS title bout from Mihawk, an interesting and much-hyped paragon-type, with Shiliew, who isn't really that much of a character besides "evil sword dude."

      And if Oda does pull the rug out from a rematch that he's been leading up to for near 20 years now for Shiliew, there has just GOT to be more to the match than, "haha, behold my trickery." "Grr, I must learn the breath of all things even harder now."

      posted in Manga
      Kylor
      Kylor
    • RE: Disney animation thread

      So that movie's going to be an absolutely bonkers mess. Which is why it frustrates me all the more that I literally gasped at that Fantasia homage shot. How DARE they give me that slightest bit of hope that the movie will be actually worth watching?

      posted in Western Animation
      Kylor
      Kylor
    • RE: Short Stories, Poems, and Other Words

      I wrote this poem for a class a few years back. Of all the things I did for the class, it's the only thing that I still like.

      A Fairy Tale in Sestina

      ! To show she meant more than his life
      He gave the girl a gem as blue and pretty as the sea.
      And to make double sure she would understand
      that he saw her to be more fair than anyone’s fair,
      he gave her a piece of his meager wealth, then all the rest.
      In return, she saw his gifts with a simple frown.
      ! No, it does not do to call it just a frown.
      It was cold, uncaring, almost without life,
      as if her feelings had decided to rest.
      The man fled from the face he couldn’t bear to see,
      and thought that she was not being fair.
      She wondered what there was for him to understand.
      ! Because there was no way for him to just understand
      what he did to make her frown,
      even though his chances weren’t fair,
      he resolved to live a miserable life,
      take a ship that would carry him to sea,
      and find a place where he might rest.
      ! But longing cannot be laid to rest,
      and still he tried to understand.
      he just couldn’t get himself to see
      the nasty cause for the wretched frown.
      Just as quickly he went back to his old life
      to try and pursue his love most fair.
      ! He felt most deeply, and paid more than the fare
      in the hopes that he could make the trouble rest.
      It was the cruel truth, that life
      was too much a burden for him to understand.
      And when he came back to the same frown,
      it was still too sad for him to see.
      ! His emotions crashed and sunk into the sea.
      And still the girl most fair
      greeted him with her sad frown.
      The boy never thought to know the rest
      of who she was. And she didn’t understand,
      the validation that was love was all he had in life.
      ! She could only see his wretchedness, and loathed such a dull life.
      If he’d been fair enough to ask, he might just understand.
      But he didn’t. He pursued a frown, and so, laid his heart to rest.

      posted in Writings
      Kylor
      Kylor
    • Short Stories, Poems, and Other Words

      It's been a while since I've posted any writings, and now's a good time to change that. This will be my place for works of writing that, for whatever reason, I wish to share, but don't have any other outlet. Pretty much anything could end up here, as long as I wrote it at some point. Old stuff, new stuff, unfinished stuff… you already get it. Feedback is appreciated, but if you don't feel compelled to do so, that's fine too.

      To start with, here's a short story I wrote. It's mostly an experiment at a style/setting that I don't usually work in.

      Music of Dust

      ! My sister was the one who came up with the idea, really, and she had written the flyers. I may have been the first to bring it up, when we were talking about how I could actually start making money off of my vocation, but have no doubts, this was her machination. The flyers were all printed and professional, with cute little decorations advertising for a flute teacher, posted everywhere she went that let her post flyers. A week passed, and my phone went uncalled. I was happy for that. My own work on the flute was taking up far too much of my time, I had none to spare on some random bloke with a passing interest, who would probably give up after realizing that they would have to put in effort. Still, my album was more of an ordeal to finish than I expected, and the process of recording properly is expensive, so I had to make the extra money doing something aside from what I love. Motivational Facebook posts had lied to me again.
      I was taking a quick break from rehearsing, when my phone bleeped at me. It was a strange hour, which might be why I was curious enough to pick it up.
      ! “You’re the flute teacher?” she said, before I could even get out the first hello. Her voice was so breathy and slight, it gave me hope that this wouldn’t really stick.
      “I am,” I said, almost feeling like it was a lie. “Would you like to schedule a lesson?”
      There was a stop on her end, a catch in the breathiness, so sharp I thought the signal may have been lost. “What time is best for you?”
      We went back and forth on our schedules. Her hours were bizarre, and fine by me since mine were, too. We agreed to a time, 6:15 on Thursdays, though I only committed to one lesson, which I said would be free. Just to see if she was a good fit.
      I went to her place. The trip was just more convenient for me, and, well, I was embarrassed about my own living situation. A stone bunny with a cartoonish face stood guard at the door. When I knocked, I was answered by a balding man who gave an impression of being tall, despite being shorter than me.
      “Ah yes, Meg’s flutist,” he said. Only then did I think that, I never got her name. “Come on in. Meg’s in the study.” The study, as he called it, was a small room with a large clock in one corner, the other corner taken up by a desk covered in envelopes and paperback adventure novels. I suspected it was the one room in the house where one could play music and not disturb any other room. I sat in a small wicker chair that must have been dragged in from some other room, and waited for my first, hopefully only, student. She was already there. Meg was sitting so still, and was so obscured by the dim lighting and her dark clothes that I just failed to notice her. Assuming she didn’t just fade in, like a ghost. Her flute, possibly purchased from an antique store, was lying on the desk next to her.
      “So, hi,” I said. She blinked in a way that I took as a hello. By this point, one could say that I was a little nervous. “So,” I repeated, because sometimes no words are better, “Before we begin, why don’t you tell me a few things about yourself?”
      I was only repeating things I heard from other teachers. Hours before, I was watching video tutorials on YouTube, to see how others typically began. Even my tone was an imitation of theirs.
      “How much do you want me to say?” she asked.
      “To start with, it’s good if you come in knowing why you want to learn.”
      She tilted her head, the first real movement I saw her make. “There’s this song, that I want to play.”
      “Great. What song is it?”
      “It doesn’t exist yet,” she said. “It’s in my head. I have to write it.”
      “Oh, okay. How much do you know about writing music?”
      “I was hoping you could teach me that, too.”
      “Well,” I said, maintaining my false voice of understanding, “that may take some time. Learning the flute is a commitment by itself, and composing takes even longer. I’m here to help you, but if you’re expecting results overnight, this might not be for you.”
      “I know. Can you play something for me?”
      “Alright,” I said, getting my own flute from its box. Not as I planned, but I could go at her pace. “Any requests?”
      “I want to know if you’ll be a good fit as my teacher, so play whatever you want.”
      I could have just played some Ravel or Debussy, but instead I wound up playing one of my own songs, not knowing which one it would be until the flute was against my lips. The song that came out, was from the album that had been more of an on and off project for me. It was the first I had played it for anyone, and now that I had an audience, it sounded different. Really I should have spent more time on it, since it wasn’t exactly finished and I had much more polished material that I could have drawn from, but she listened carefully, watching my fingers like she could see the notes.
      “It’s nice,” she said. “Reminds me of someone I knew once.”
      I, too had written the song with memory in my mind. There was little left to say, so we started learning from there. It’s said that there are students who will pick up music for the first time as if it fit them their whole lives, that all they needed was to be pointed in a direction, and the rest would come from there. Meg’s not one of them. When I first showed her how to do a basic e flat, what came out was a shuddering screech. The rest of the lesson was devoted just to getting her fingers right. Her pinky kept inadvertently rising. The lesson went on until Meg’s parents called her down to dinner, and as I walked out the door, I found myself scheduling our next lesson.
      ! That Friday was one of my irregular gigs at a dingy bar, with my friend Mike and his band. They played this sort of electric folksy music that I wasn’t much into, and I didn’t like the audience, but they were an audience and there was money involved, so I could say I’m a paid musician. I was sipping my beer in between songs, when who should I see at one of the tables, but Meg. She was there with some other girl, wrapped up in some other conversation, but the way her eyes flicked towards me every so often was enough to know that she noticed me. After the band finally stopped playing, Meg was still sitting around, though her friend had already gone, so I pulled up the vacated chair. Despite the recognition, chatting to her was like talking to someone completely different. Last night, she seemed like she could only exist by lurking in shadows and dusty corners, but here she open, agreeable, and even smiled when it was appropriate. Maybe the demeanor I saw when we were alone was only my imagination. It wasn’t my business, but I thought the girl I taught the flute to was far more intriguing, but the girl in front of me said she liked the band, so I stuck around. She explained that she only lived with her parents to help pay for college, and because it was so near to her job. She worked at a coffeehouse called the Lemon Cup downtown, or, as she explained, “not exactly downtown, but it has that vibe.”
      “I’ve been trying to find a good place like that,” I said. “I’ll check it out.”
      “Nice,” she said. “Actually, my boss said that they might be looking for live musicians soon. Nothing too fancy, just something mellow and chill.”
      She sipped her beer slowly as the conversation dwindled. I wound up giving her a ride home, and she sat in silence, watching the city stream by and listening to the music lightly playing in the background. She felt very familiar, then.
      We got to her house not long after.
      ! For a complete beginner, she learned faster after that first week, having mastered the basics in only a couple of lessons. I couldn’t help but think that she might have learned even faster if she didn’t keep trying to get ahead of herself. For every instruction I gave her, she had a question, and with every answer, the questions got harder. Her issue was breath control. She would tire herself out before she got to the end of our sessions, so each Thursday would close out with me demonstrating a song or two for her. I could almost see her taking the notes in her head as she listened. It was fascinating to watch her like that.
      Between lessons, I kept practicing, and when I wasn’t doing that, I was writing plans, as if I thought that I was a real teacher. My sister probably would have been thrilled. I couldn’t tell you what was going on in my mind, those days. The songs that were stuck there were lovely, though. Meg’s flute lessons were almost like a dream, that I slipped in and out of in between long bouts of reality.
      I sent an email to that coffeehouse, the Lemon Cup. They got back to me with the typical, “We’ll think about it and see if we can fit you in,” which I long ago learned meant that I would never hear from them again. The next afternoon, they sent me another email, asking me if I was available in a couple of weeks. When I brought it up to Meg, she said she had talked to them about me.
      The Lemon Cup gave the impression of having an Asian feel, but had no real cultural details on display. Meg greeted me from behind the counter with an open smile, and set me up with the cheap mic they had as their stage. The place was clearly not made with performers in mind, just big enough for me. It was rather full that night, and the patrons were all old and rich enough to have respectable tastes. The songs I played were all old and familiar to me, material that Meg had already heard. When she wasn’t the only audience, she wasn’t listening so closely. When the last note fell, she clapped. I went home with a small amount of money, a promise from the manager that they would see about scheduling a regular time for me, and a complementary bag of their tea.
      Months passed, a lesson a week, same as ever. I would go in, chat with Brian and his wife Sandra, and make my way to the study, where I would begin. We cleared off some of the clutter that was spread across the desk, and during the latter hour of the lesson, taught her the basics of writing music. She experimented with precision, forming melodies that, even when she was just getting the hang of it, even in the weeks before she came to me with all these facts about music theory that I had never heard of, were as focused and yet subtle as she was. I couldn’t grasp where it was all coming from, only saw the results of it in her work. What I never got to see her write, was the song she first said she wanted to play.
      ! I became a regular at the Lemon Cup, even on the days that I didn’t bring my flute. I avoided going on the days that Meg wasn’t there. The dissonance between her when she was at her job, and when she was devoted to our work, was too much for me. I stopped playing at other gigs around town. Mike’s band had broken up, his drummer having changed direction, his bassist having changed location. All the venues around town were getting stale anyway.
      At some point, I had to wonder what would happen when Meg got past the point where all the YouTube tutorials stopped, where my knowledge of music would stop being useful to her. We’d be peers, then, and that was exciting, but it was hard for me to picture planning a Thursday, without stepping back into a poorly-lit study and breathing in so much dust. Those days, she would just play a song she had practiced, and I would listen, offering her just enough advice to nudge her to refinement. The big clock in the corner was a natural metronome. She started scheduling performances for herself at the Lemon Cup. We alternated weeks, and of course we went to one another’s shows. She mostly played classic songs, but in a unique way. There’s no way I could replicate it, so please just take my word for it, that to hear her “La Mer” is a sensation you haven’t felt before. It’s to venture into the sea itself, going down, until the only lights are from bioluminescent fish and the only heat comes from the heart of the Earth, and you’re slowly enveloped by the pressure of so much black water. Well, that’s my interpretation.
      I brought my own teachers to her shows (the ones I was still on speaking terms with) as well as a few music expert who’s email addresses I had on hand. They all agreed that she was good, though none of them had the same views on her style as I did, which bothered me. I guess because it only proved they never did know what they were talking about.
      The really good thing about the Lemon Cup, was that the patrons there were just rich enough to want to not only listen to flute music, but buy it from the artist as well, so I sold plenty of my old CDs I had lying around. What space on my shelves had been taken up by copies of my own music, was now vacated, and replaced by complementary bags of tea. I was making just enough, almost enough, to be able to finally produce my next album. The more I made, the more I realized I could do, so I decided to wait a bit longer, until my funds matched my ambitions.
      I called my sister, on the pretense of asking about her sick cat. Really, I just wanted to tell her that, in some way, her encroachment on my life had paid off.
      “That’s good to hear,” she said, in a half-interested way. Her phone was on speaker, as she was using both her hands to wrangle her cat and feed him medicine. “So what’s next?”
      “What?”
      “What are you doing after this?”
      I was almost dismayed when I didn’t know what answer to give her. “I guess I’ll focus on tryouts for another orchestra.”
      “I thought you weren’t interested in those anymore.”
      “For now. Just to see what it opens up.”
      “What do you mean? What’s going to come after that?”
      “I don’t know. I’ll see when it happens.”
      “Sure, yeah. Sounds like you’re happy with the way things are now, then.”
      I didn’t reply to that. She was so busy, she didn’t even notice. The cat was absolutely sick of all the attention he was getting, and all the better for him. I ended the conversation. It was time for me to teach.
      For the first time since that first Thursday, how long a time I stopped keeping track, Meg wasn’t waiting in the study, sunken in the chair like that’s where she had been all day. I waited, watching the clock, making sure I hadn’t come in early, in my haste to end the talk with my sister. Meg only came swooping in about two minutes late, flute in one hand, and scrawled sheet music in the other.
      “Can you help me with this today?” she asked.
      “Sure, what are you wondering?” I replied. Given that I wasn’t the most inventive instructor, it was a good day whenever she came in with the lesson idea. She spread the wrinkled papers on the desk.
      “This section,” she said. “it’s wrong.”
      I looked it over, softly humming the notes to myself, trying to find the issue. It sounded perfect and beautiful. “You’ll have to point out the problem.”
      She blinked at me coldly, as if she was catching a lie. “You don’t see how clumsy the transition is?” A finger tapped on the measure, like an executioner’s axe. “It needs to be smooth, more like…” she moved her hand in a sort of wave. “Like that.”
      “Oh.” I saw what she meant when I read through the paper a second time, even if I never would have noticed otherwise. It’s something one of those music scholars would have said. “Let’s see what we can do about that.”
      The transition was a harder puzzle than I thought it would be. The problem with Meg was, her work came from such a strange place, with little understanding of the structures other musicians abided by, that the sheet music she wrote read almost like a translation, from a language I didn’t have access to. Any attempts to explore it from a conventional angle, was a fine way to be lost in the dark. From the way her lips tightened as she thought, and the way her head bent over the page, I could tell she was plagued by the same. By the time we sorted our way out, the rest of the song had to be adjusted to match. We only got halfway through, before Sandra called for Meg to come down for dinner. We both jumped, having been so involved in the sheet music that we forgot about the outside world.
      “Crap,” Meg seethed, folding the fragile pages.
      “It’s alright,” I said, “we can always finish next time.” That is, if she didn’t finish on her own before then.
      Meg shook her head. “Can’t make it.”
      “Really?” I asked. “Why not?”
      “I’m doing a show. At the old Pensbrook Theater, next Friday. They want me on Thursday to take care of some stuff.”
      What I felt there, wasn’t a blow. It was too good a feeling to be called that. But it was familiar. “That’s huge,” I said. The Pensbrook itself isn’t huge, no massive auditorium, but it’s historic, which is kind of better. “How did you get that?”
      She shrugged. “Someone at the Lemon Cup posted a video of me playing online. I guess it took off. My mom knows someone at the Pensbrook, so she’s really the one who pulled the strings for me.”
      “Wow,” I said. What else was there to match that? “I’m happy for you.”
      “It was good luck. One in a thousand.”
      I offered to take her out to celebrate, but she had to stay behind for dinner. I went to the bar alone.
      ! The next week took me to Meg’s front door again. Only after I knocked, did I remember that she wouldn’t be there. It was too late for me to do anything, except maybe hide in the bushes. I didn’t.
      Brian opened the door, with such an “oh-shucks-you-goofed” expression that those bushes still seemed beckoning.
      “Looks like you forgot,” he said.
      “Sorry,” I replied.
      He chuckled, and said, “Don’t worry about it. Say, since you came all this way, would you like to join us for dinner tonight?” He probably only said it to diffuse the awkwardness.
      “Thanks very much. But, I don’t want to impose…”
      “Come on. You teachers always starve yourselves anyway, right? Sandra’s making extra. Guess she forgot Meg’s not here, too.”
      All the weeks I had been to their house, I had never seen more than the space between the front door and the study. The dining room was the kind of place one feels perpetually underdressed. I ate more than I probably should have, despite the pasta being smothered by far too much spice. Brian wouldn’t stop asking me questions about my career. He would have had a lot to talk about with my sister. How could Meg have come from a place like this? Perhaps they didn’t, and she emerged from some shadow to assert herself there.
      “You know, I’ll tell you this,” Brian said after a third glass of wine. “I’ll be happy to have my study back again.”
      “What do you mean?” I asked, spoonful of ice cream in hand.
      “Just that, she was practicing all the time. Practically every second she wasn’t at work. I think even her friends stopped talking to her after a while.”
      “It wasn’t every second,” Sandra said reassuringly. “Of course she got plenty of sleep.”
      “I admire her dedication,” Brian went on, “but, it would have been nice if she had more of a social life. Well, her dedication’s paid off. I don’t exactly know about flutes, but I never saw her invested in anything I did know about.”
      “Really,” I said. It never occurred to me. I only saw her for a couple of hours every week, but that study wasn’t just a moment of a dream for her. Maybe she didn’t ever awaken from it.
      “So, hopefully we’ll still see you around. I’m sure Meg would like having someone to jam with.”
      “If you aren’t busy with other students,” Sandra added. Maybe they were oblivious, or maybe they knew and, like me, didn’t want to bring it up, but while I was on my way back home, I knew. I wasn’t a teacher anymore.
      ! I was in the Lemon Cup one day, maybe a year or so later, reading a magazine and nonsense on my phone. As I often did, I had a performance scheduled for that night, another performance for my regulars, but I got there a bit early. I had nowhere else to be for the day. Besides, the music they played over their speakers was so good. Familiar, but new, songs I had heard before, but arranged slightly differently. I asked the barista what they were playing.
      “It’s this local artist,” she explained. She was new. Or I never noticed her before. “Actually, I hear she used to work here.”
      ! I sipped my coffee, and sat back down. One song ended, and transitioned to another. I never heard this one before. Unlike the others, it was achingly simple. No frills, barely any instrumentation besides the drawn out notes of a single flute. I put down my magazine, my coffee, every thought I had with me, the whole swarm that gathered in my brain and muddled to nothing. The space that opened in my thoughts, was filled with dust and shadows, ghosts and the ticking of a clock. I was once again back in the study, even there in the coffeehouse. But I was there alone.

      posted in Writings
      Kylor
      Kylor
    • RE: Thoughts on the last movie you watched.

      Saw Donnie Darko for the first time. And, as I'm guessing is the case for many people who watched it for the first time, went straight to google to find an explanation for the movie. I figured I was just being simple, or didn't have the right context, or wasn't paying enough attention, to get the symbolic and cultural meaning of what happened in the movie, only to discover that… no, it was just a very convoluted pure sci-fi plot that I feel no shame in being baffled by. So in lieu of understanding, I have to just muse on it based on the feeling it left me with. And what I was sitting in mostly after the movie was this sense of misanthropy that it exuded. This is a movie that gives the impression of pure contempt for pretty much everyone, particularly upper-middle class America, particularly the shallow and gullible. The fact that it just looks down on people, without really offering any solutions or getting into why they are that way. Which would make the movie insufferable… except it does speak perfectly to the age of the main character, and its themes of disillusionment. I'm still not exactly sure how I feel about the movie, but I think if I watched it while I was still in high school, I would have loved it. As I am now, having broken myself out of that mindset, I don't think I needed to be pulled back into it, haha.

      posted in Media
      Kylor
      Kylor
    • RE: RIP Those we lost in 2017

      Oh my gosh. I was just making plans to finally finally start reading Earthsea. I always loved how honest she was in interviews and stuff. Like she never ate a slice of humble pie in her life, which is so refreshing. Truly one of the giants of sci-fi/fantasy, and I'm damn ashamed of having never gotten to her works. This is so sad.

      posted in Media
      Kylor
      Kylor
    • RE: Confession Session II

      So here's a confession for you all. Maybe not the biggest confession in the world, and I know that, like, I barely post here anymore so what right do I have, but I want to actually write this down so… bear with me lol.

      ! For a while now, I've been aware of it for the past three or four months but I know it's been going on for, well, maybe my whole life, I feel like there's this disconnect between myself and others. Or maybe I should say, I think pretty much all my living has been done inside my head, which sucks because I'm keenly aware that there's a world out there with people in it.
      ! It's difficult to write this down in a way that makes a lick of sense, but even though humans are social animals, I can't seem to get along with the humans in my life. Especially since I've moved to a new town. Not to sound misanthropic or anything, but just looking at those I interact with on a day-to-day basis, the kind of things they're into, and how they relate to each other, feels very… I dunno. Shallow to me. Not in an "I'm better than you all" sense, hell no, it's just, I feel like, even though I spend a lot of time trying to teach myself things, and learn and read, nothing that holds any interest to me or information that I can retain has any relevance, or even grounding, in the small circle of the world that I'm standing in.
      ! Like a third of me wishes that I could live the kind of life where I could drink wine and philosophize with people in someone's music room or something, while another third wishes I could just talk about pop culture and Japanese cartoons in the sort of outdated, cheesy newsletter-printing anime clubs that don't exist anymore. The other third of me just wants to read books and sip tea by a fireplace while it's raining outside, but I don't make enough money for a fireplace, and it's hard to make that kind of mood at home anyway, the neighbors are far too loud. Instead, most of my interaction is with my coworkers, since most of my day is working. And, you know, they're perfectly nice, but they're also very... I guess, regular college Americana types? Not what I'm describing at all.
      ! Often it's my instinct to blame my not being where I want on the fact that I'm not working hard enough for it, and I'm trying to fix that. I write as often as I'm able, I've been trying to get more involved locally, basically throwing a lot of things out there and seeing what sticks, which so far hasn't amounted to much. The thing is, I feel like even if I did get what I want, it wouldn't make me happy. In large part, this is just because of who I am. I'm a writer at heart, you see. The person whose words you're reading now (hi!) is NOT the person I am in real life. As a writer, I need this many words to get my thoughts out. As a person, I'm a clumsy, monosyllabic, poorly dressed idiot who can only get two words out after that many drinks. I always just end up feeling condescended to in the fancy crowds, and in the nerdy crowds, my taste veers just enough from the norm to not even be speaking the language of anyone else in the room. (seriously, just go into any anime/manga specialty store, bring up Legend of the Galactic Heroes, and watch the eyes just glaze over, it's a thing of beauty.) So no wonder I can't roll with the crowds I aspire to. But dear me. When I step outside my head, what I bump into makes me want to go back in again.
      ! Not to say that I think I'm better than the people around me, that because I don't like parties or sports or what's on television that makes me some kind of intellectual. Have you read any of this? I come across as some kind of snobbish prick, don't I? Or maybe I'm just a petulant child who throws out his perfectly nice toys because they're not the exact color he likes. But I'm not trying to sound like any of this is unfair to me, I'm just trying to say, it gets lonely. Dang I'm lonely.

      Not sure where I was trying to go with this, but it's out there now, so maybe it'll be in here less.

      posted in General Discussion
      Kylor
      Kylor
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