Chira Chira no Mi
Flick Flick Fruit
Flicker Man
The user performs a minimum of 10 stationary teleports a second, but it's not teleporting if you're going nowhere. Right?
Chira Chira no Mi
Flick Flick Fruit
Flicker Man
The user performs a minimum of 10 stationary teleports a second, but it's not teleporting if you're going nowhere. Right?
Road too narrow when you feel like strutting? Widen it. Entrance too small? Widen it. Puny katana not manly enough for ya? Broaden it. Broaden your horizons, spread your influence, and when you feel like a little destruction, make it citywide. Eat the Haba Haba no Mi. Be a Width Man.
This one's for you, Fred.
Mihawk? Zoro? Uh huh.
Chame Chame no Mi
Play Play Fruit
Be a Swordplay Man and let your weapon do all the fighting for you. All the B.A. techniques. None of the sweaty ambition.
Here's an idea. Let's say, for example, Nami ate a gojo gojo no mi, and let's say that makes her a reciprocation girl with a sync ability.
Zoro would crave tangerines/oranges, have a better sense of orientation, and his swords would use the clima-tact's tempos. Nami would feel like knocking back a few, experience haki, and, with a rod in each hand and one in her mouth, proceed to tatsu maki, pound hou, and rock your 3,000 worlds.
I haven't been here in a lonnnnnnnnnnnnnnnnnnng …
I haven't been here.
Maho Maho no Mi
Sheet Sheet Fruit
The Full Sail Man wears his bed sheets as a cape. At one sheet he hovers, two sheets he levitates, three sheets he's properly volant. Any thrown object is sent on a flight path, and a little haki is the beginning of a sheet metal defense.
This fruit is super enough for Franky.
Here's one i recently came up with:
Subtle Subtle fruit
Once the fruit is eaten, the user becomes highly elusive and incredibly difficult to track, even in single combat. Though In this case,it is not so much that the user becomes proficient in the art of stealth, but they become very easy to ignore. By eating this devil fruit, they gain a subtle existence and become a "forgettable man".This fruit user fades in and out of memories at the passing of a second, whether it be the memory a perfect stranger, a close friend, or even an opponent out for their blood. One moment you two may be locked in a fight to the death, then the moment they're out of sight, you're standing there wondering what you're doing, how you got there, and why you have your sword drawn. In addition, the user leaves hardly a trace of where they've been; their feet leave no prints, and they have no scent to follow. The user has this effect on themselves regardless of how they outwardly appear; a user in a vibrant and gaudy clown suit would go just as unnoticed as a user draped in camouflage. There are ways to register the user as more than an insignificant memory. Foregoing the universal weaknesses of water and seastone, one way is for the user to develop a strong connection with another, either friendly or antagonistic, which will cause the effects of the fruit to wear off on that individual. The effect can also be bypassed by a person with keen skills of perception, such as highly acute senses, a sharp mind, and of course, Haki.
Feck. This is good. The poster is probably dead now, taking that creative mind to the grave. I wonder what Japanese word he had to back this up. I offer praise and recognition two years too late. Rest in peace.
–- Update From New Post Merge ---
@Kirito&Zoro_Rules:
Not quite it exists as the more more fruit
That sucks because I thought a more more no mi would be cool. More (moh-leh) as in the Japanese word for an omission. Call it the skip skip fruit. You know how often you see the before and after of a Zoro attack but not the middle? You don't know what the heck happened. I want a fruit for that.
You know what makes this fun for me, Speeddasher? I like to use a rule. I'm not allowed to make up a devil fruit power without it having a basis in that system Oda uses. You know. Those two-syllable words that are doubled. That means finding some two-syllable word in Japanese and doubling it (It's already done for ya with those mimetic words.) and then offering a translation. So I guess I kinda let the word tell me what to do next. Though you can get past the need for a translation if you find a good English word like yoga or mega. I'm saying I wouldn't allow a rabbit rabbit fruit unless there existed a good two-syllable word in Japanese to back it up. Usagi is too many syllables, and I can't accept shortening it. And I don't think I fully understand that method Oda uses for shortening so I avoid it. I was googling and noticed some person used kuukan. Seems to me that's four syllables (koo oo kah en) and not two (koo kahn). Is this making sense? Sorry for the essay essay no mi. I don't think I'll do more because explaining kills the mood. Good ideas, by the way.
Une Une no Mi
Zig Zag Fruit
Zip around but never in a straight line. Same goes for anything thrown.
Mota Mota no Mi
[motamota [I]slow]
Imagine a guy who wears a short arm cast from a broken bone he got two years ago, is still waiting for his hair to grow back from the bad haircut he got ten years ago, still doesn't feel the effect from the lethal jellyfish sting he received five years ago, still has his boyish face though he is 50 years old, has gone far past the life expectancy for someone with amber lead syndrome, and is still full from the devil fruit he ate. Imagine that and you'll have some idea of how the tardy tardy fruit works.
Giza Giza no Mi
Jag Jag Fruit
[gizagiza [I]jagged]
What needs saying?