They are indeed from JUMP.
Hm, looks like they must be moving Katakuri's introduction up to the episode after next.
Ah thanks. So that means, that One Piece will be streamed on Netflix only in Japan, right?
TOEI Animation announced, that One Piece will be streamed on Netflix:
#825 Ito / Yokoyama
#826 Tokoro / Deguchi
#827 Ueda / Shingaki
Luckily it seems like Hisada took on the brunt of the work on 824 so Deguchi won't be too bad and Ichikawa will probably correct a lot of 826 like he has with all of Deguchi's episodes in this arc. Seems like they're being conservative and saving all the great ADs for when the Tea Party starts which is great. Considering that Fukuzawa was hyping up this year for One Piece, I wonder if we'll see Koizumi and Inoue pop up during the Tea Party
Guesstimating on which episode's covering which chapter, lol of course Shingaki will handle that one. Looks like my guess that Matsuda is on this week's ep was incorrect unless she's just key animating.
Can't wait :wub:
One Piece on Break for Episode 827.. Will out on Mar 04 2018 ..
That's great, we could use some more breaks.
Can't wait :wub:
Where's the Jesus? I don't see any Jesus.
Seriously though, seeing those cels was cool. Too bad Toei doesn't let their animators post them on twitter any more.
Can't wait :wub:
what does that mean
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Can't wait :wub:
what is it something speical?
Here's a translation of Namie Amuro's comment about the special version of OP 20 in Episode 825, thanks to r/translator:
“I’m very honored to have been chosen to sing the theme song of One Piece and collaborate with the creators on its planning. I hope this song, an adventure brought to you by myself and the Straw Hat Pirates, is filled with dreams and gives you hope and courage.” So the special version of the OP will probably be Amuro adventuring with the crew, I'm sure we'll have someone here recording the special version if it isn't in the simulcast though I'm sure it will be. It looked like Midori Matsuda's art in the promo so she'll probably be supervising it
I hope that's just hype speak and not literal because I remember that time Tackey & Tsubasa were added to Crazy Rainbow and it was most hilarious and cringey thing ever because they looked super-lost and out of place.
Finally…
!
Photo from the special version of OP 20: https://one-piece.com/news/detail/20180210_6769
It looks like a rough Ichikawa but it could be another AD trying to mimic his style
ISHIZUKA'S BACK BABY
Oh yeah it totally looks Ishizuka's Luffy, great to see him back
Not sure why there hyping this arc but it''s dream come ture to have ishizuka back.
Yeah next episode looks like a lot matsuda and ichikawa to me.
Would love to see ishizuka and tomita do some Germa 66 action .
ISHIZUKA'S BACK BABY
Oh my god, yes! Finally… Been waiting so long for him to come back.
Noboru Koizumi And Ishizuka are my favorite animators in one piece
18/02 826 「サンジ復活 壊せ！地獄のお茶会」
Sanji Returns – Break It ! The Hellish Tea Party
25/02 放送休止 / Anime in Break - Tokyo Marathon 2018
04/03 827 「密会！ルフィVSファイアタンク海賊団」
A Secret Meeting ! Luffy vs. The Fire Tank Pirates
11/03 放送休止 / Anime in Break - Nagoya Women’s Marathon 2018
One Piece Concept - French Fansubbing
http://onepiececoncept.free.fr - #OP-Concept@irc.fansub-irc.eu
I forgot that One Piece would be affected by the breaks, too. I guess that will do some good in keeping behind the comic, eh?
It's been a while since I've last seen a Katsumi Ishizuka cut in the anime (outside of Episode of East Blue).
When was the last time we saw him, Punk Hazard?
He did some very minor stuff in Dressrosa, some crowd stills during the sequence where Usopp takes out Sugar once and for all being the last cuts I can remember. It was the highlight of a very, very bad episode.
Smoker vs. Vergo was the last time he got to go all-out before Episode of East Blue, yes. Apparently he's been mainly working on Toei movies and specials lately.
New scenes from Opening 20 - Episode 826
!
!
More….......
!
That looks like Tomita to me, actually.
I expected a visual update like they did with We Can! but that's pretty early since the anime shouldn't be getting to that sequence until the summer at the earliest. They must really be looking forward to the arc's final third (as they should be).
~Stargazer~, ~Distance~ original stories.
3DS Friend Code: 2234-8294-8917
That looks like Tomita to me, actually.
I expected a visual update like they did with We Can! but that's pretty early since the anime shouldn't be getting to that sequence until the summer at the earliest. They must really be looking forward to the arc's final third (as they should be).
Well, maybe it's my mistake 
Yeah, that's Tomita. I doubt that they would waste the first time they get Shida to key animate in months on the second version of an opening that he already did key animation on, because I'm sure that his Fourth Gear cut will still be in V3. Can't wait to see what he ends up doing when the episode that he key animated on comes around
The staff really have much more confidence than previous arc in past then years. Production schedule also seems to be better now.
Awesome! I wonder which part of the opening they are gonna swap out? Probably the Jimbei punch, Brook ghost, and Pedro fight parts, right?
I've been enjoying the little updates to the opening. And the music, as well.
Anime not holding back on upcoming events lol
i just wanna mention that the animation is really good in this arc , in that never happened before expect : thriller park and marineford , and now if they continue at this rythm i must say , this is the best arc in term of animation since the anime started , im so happy
Without forgetting the return of some of the old supervisors like : Noboru Koizumi ,inoue,katsumi ishizuka, okuzawa akihiro
even the color palett of characters is beautiful and gave life to the character especially Luffy
thank you toei <3 , I'm satisfied with Animation, I hope they stay that way
New to this stuff and already it's looking fine. :)
with the amount of hours tomita has been putting lately he might aswell be An AD.
this is the best arc in term of animation since the anime started , im so happy
Sabaody Says Hi.
The fact that kiss anime is on the top of that list, makes my heart weep
It seems an animator from Guts has been promoted to the character designer of the summer special this year.
And yeah it also means Guts, as well as some other animators and directors, will absent from the show for months, again.
That does explain why we haven't seen Isochi yet this year. Might also explain Fujisaki's promotion to solo animation director on the last Studio Guts episode. (also, when/if I've expressed the desire to see more outsourcing on specials, I didn't mean outsourcing to a studio already working on the anime!)
It seems an animator from Guts has been promoted to the character designer of the summer special this year.
And yeah it also means Guts, as well as some other animators and directors, will absent from the show for months, again.
Source? I don't doubt it but who is the Guts animator
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Admittedly I'm fine with Guts taking on the brunt of the work on the special, it means that there's an effort to keep the staff on the show instead of having them work on the special
Same, I'd much rather they outsource the specials, and keep the focus on the main series so it stays strong like its been
Studio guts is part of the tv animation but best believe the summer special going to have some of the tv anime staff.
Yeah, people seem to not remember, but the first one of the "Episode of" series of specials had its character designs done by Nakatani, a member of Guts studio, and a staple member of the One Piece AD rotation back then.
Of course, despite having the character designer and chief animation directior technically be an outsider of Toei, the special itself had few of Toei's animators, including the likes of Shingaki, Urata, Kuroyanagi, and Ishizuka.
Admittingly, that special had way less animators from Toei, but that was mainly due to giving many of the key animation to other studios.
Obviously, this might not be the case for the upcoming special, but one can only hope. And I actually think it's more likely to have more outsourcing than not.
Currently, what concerns me the most are the directors, because sometimes these specials had up to 5 storyboard artists including some of the ones working in the show, but if the upcoming special has a better planning, it'll probably be just one director.
Regarding the special itself, I've high hopes for whoever does the character designs for the special, who'll most likely be Isouchi. And despite his occasional extreme proportions for females, I think he can deliver pretty decent if not great character designs. Btw, his style seems to be immensly similar to that of Ichikawa's, which I believe a considrable number of people here noticed. Actually, now that I think about it, this could probably be the main reason they chose him for the special, especially with Ichikawa's style being highly regarded both here and in Toei itself.
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On a side not, personally I hope the special will have an original story instead of just readapting an old arc, primarily because of pacing issues, but also because I can't think of an older arc other than Skypia, Thriller Bark, and Marineford, last one being something that will require them to pull all the stops, of course that's if the new story doesn't portray some of the Strawhats bafly like Heart of Gold and isn't a snorefest like Nebulandia.
Skypeia would be hard to do as a single 105 minute special, but I think they could pull off Marineford. I kind of suspect they'll try to recreate something post-timeskip, though.
Also, damn, another special just four months before Dragon Ball Movie #20? Eek.
18/03 828 「死の協定 ルフィ＆ベッジ連合軍！」
Deadly Agreement - Luffy & Bege Ally Their Forces !
One Piece Concept - French Fansubbing
http://onepiececoncept.free.fr - #OP-Concept@irc.fansub-irc.eu
I actually wish we'd just can it with the annual specials - they're never really that good. They're usually subpar recaps with prettier (SOMETIMES) animation. Besides I'd love to see the Wanted One-shots animated at some point.
So, wasn't Nebulandia supposed to be the start of a new series of winter specials? Because we haven't had one since then and I'm fine with that as we should only have 1 special a year imo, at best none a year
So, wasn't Nebulandia supposed to be the start of a new series of winter specials? Because we haven't had one since then and I'm fine with that as we should only have 1 special a year imo, at best none a year
Episode of Luffy was the first one. But it was a full out-sourced special.
Nebulandia really caused a big trouble to the show.
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That does explain why we haven't seen Isochi yet this year. Might also explain Fujisaki's promotion to solo animation director on the last Studio Guts episode. (also, when/if I've expressed the desire to see more outsourcing on specials, I didn't mean outsourcing to a studio already working on the anime!)
It seems at least we'll still have one or more Guts episodes before the SP.
828 Hosoda/Kitazaki
829 Koyama/Ito
830 Komaki/Isochi
Thanks to @YonkouProd & @osama___a
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Yukihiro Urata will be working on the Kitaro series as an animation director, which explains his absence from the show.
thank you for staff member i've been waiting especially for this month.
nice to see komaki again , she did great job One of the previous episodes 824 , also isochi is teaming with her , this is amazing
cant wait for chapter 860 to be animated , imagine if shida do key animation for that scene of this chapter : ( character )
sorry my english is bad
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about Urata : i think his style of animation and art remind me alot of naoki tate , they both used to work Almost on the every episode beside hiromi ishigami
so im not surprising is Tate go to work on Kitaro the new Show when he get finish working on new movie of Dragon ball super
I wonder if we will see his introduction at the end of 829 or 830. Probably i would prefer 830 because we have komaki.@Jakisuaki:
828 Hosoda/Kitazaki
829 Koyama/Ito
830 Komaki/IsochiThanks to @YonkouProd & @osama___a
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Yukihiro Urata will be working on the Kitaro series as an animation director, which explains his absence from the show.
about Urata : i think his style of animation and art remind me alot of naoki tate , they both used to work Almost on the every episode beside hiromi ishigami
so im not surprising is Tate go to work on Kitaro the new Show when he get finish working on new movie of Dragon ball super
I won't be surprised if Tate doesn't work on the movie at all, he already didn't participate in the previous two dragon ball movies. I'll actually be very glad if he really joins Kitaro sooner rather than later, because that show deserves to look good, and it's not like the dragon ball movie needs Tate anyway, as it'll most likely have plenty of good key animators both freelance and from Toei. I know I'm pushing for this idea too far, but that's because I don't want his work to get corrected beyond recognition. Hopefully someone licenses Kitaro, because it definitely deserves some exposure in the west.
