Can someone translate them better?
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A Study of One Piece Animation
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Can someone translate them better?
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December 11: One Piece episode 768: 「三人目！ 忍者・霧の雷ぞう登場」
“The Third One! Raizo of the Mist, the Ninja, Appears!”- Screenplay: 「田中仁」 Hitoshi Tanaka
- Episode director: 「上田芳裕」 Yoshihiro Ueda
- Storyboard: 「えんどうてつや」 Tetsuya Endō
- Animation director: 「高木雅之」 Masayuki Takagi
December 18: One Piece episode 769: 「赤い石！”ひとつなぎの大秘宝”への道標」
“The Red Stone! The Guide to “One Piece””- Screenplay: 「中山智博」 Tomohiro Nakayama
- Episode director: 「所勝美」 Katsumi Tokoro
- Storyboard: 「所勝美」 Katsumi Tokoro
- Animation director: 「新垣重文」 Shigefumi Shingaki
December 25: One Piece episode 770: 「ワノ国の秘密 光月家と歴史の本文」
“The Secret of the Wano Kingdom – The Kozuki Clan and the Poneglyph”- Screenplay: 「中山智博」 Tomohiro Nakayama
- Episode director: 「藤田健太郎」Kentaro Fujita
- Storyboard: 「藤田健太郎」Kentaro Fujita
- Animation director: 「伊藤修一」Shūichi Itō
January 1, 2017: Break
January 8, 2017: One Piece episode 771: 「男の誓い ルフィと光月モモの助」
“A Man’s Vow – Luffy and Kozuki Momonosuke”- Screenplay: 「冨岡淳広」 Atsuhiro Tomioka
- Episode director: 「伊藤聡伺」 Satoshi Itō
- Storyboard: 「伊藤聡伺」 Satoshi Itō
- Animation director: 「松田翠」 Midori atsuda
Source: OPPC
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So essentially 3 chapters across 4 episodes coming up and the anime is currently 32 chapters behind the manga. These are dialogue heavy (but important) but with little no action, not sure how they will pull it off.
EDIT: Read up on this http://www.animenewsnetwork.com/feature/2016-12-09/why-does-pokemon-look-so-different-now/.109646
Does anyone else think that Toei is quite behind the times when it comes to innovation through workflow? OLM seem to know what they are doing. -
Dialogue heavy episodes tend to do the best when it comes to the 1 chapter or sub-1 chapter pacing.
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Neat to see that Midori Matsuda will be back - I wonder if she's going to be a new addition to the regular rotation (meanwhile, I'm going to see about gathering the Dragon Balls so that Ichikawa can do the same), and now that Tokoro's managed to claw his way out of Deguchi's basement for the time being I hope he can help Shingaki regain some of his old luster.
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EDIT: Read up on this http://www.animenewsnetwork.com/feature/2016-12-09/why-does-pokemon-look-so-different-now/.109646
Does anyone else think that Toei is quite behind the times when it comes to innovation through workflow? OLM seem to know what they are doing.It's been pretty well established at this point that Toei is an animation studio that overstretches themselves. They are pretty much the worst case example of how to handle animation production for several series across the board. The reversioning issues with Dragon Ball Kai Buu Chapters (which are Funimation DBZ Orange Boxes levels of problematic), the production of Sailor Moon Crystal, Dragon Ball Super's animation consistency issues and even those they have people like Shida and Nakatani for every decently to well done parts of animation they do on two shows and their movies there's always issues elsewhere. I will admit the last two years they have been a little more balanced but they don't have they are still the weakest production link in an industry that is strife with issues.
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It's been pretty well established at this point that Toei is an animation studio that overstretches themselves. They are pretty much the worst case example of how to handle animation production for several series across the board. The reversioning issues with Dragon Ball Kai Buu Chapters (which are Funimation DBZ Orange Boxes levels of problematic), the production of Sailor Moon Crystal, Dragon Ball Super's animation consistency issues and even those they have people like Shida and Nakatani for every decently to well done parts of animation they do on two shows and their movies there's always issues elsewhere. I will admit the last two years they have been a little more balanced but they don't have they are still the weakest production link in an industry that is strife with issues.
Sadly, it seems like Toei animation does not have control over this situation, that's why it will never have the same production circumstances as Pokemon.
As far as we know, companies such as: Shueisha, Bandai, and Fuji Tv, prefer how the show is going right now, despite the bad pacing, the anime generates hype that might factor in the high sales, it also makes it easier for Bandai to create new games that cover new content every time with already established color-schemes and voices through the anime, and lets not forget apps/carddass and other promotional material for theme parks and galleries, this wouldn't be the case if the show had a break or a big filler arc to increase the gap between the manga and anime, moreover the movies help more people to get into One Piece, and it seems the special episodes have a pretty decent ad revenue for Fuji Tv, these factors pile up to decrease the work force on the show itself. Other problems such as not having an ending song anymore might be because of avex or other companies. Furthermore, Toei animation is a studio that works on a ton of shows at the same time, of course their talents are gonna be divided and all over the place, right now we have: One Piece, Dragon Ball Super, Digimon Universe, Tiger Mask W, and Pretty Cure airing, not mentioning movies, ovas, and upcoming shows that of course have a pre-production. On the other side we have OLM, which works on many shows as well, but we never saw something spectacular coming out of them like Pokemon, I mean very few people praise Beyblade and Youkai Watch for their animation quality. Thankfully, even though the problems keeps piling up on the back of the studio, Toei animation still delivers very good episodes when they push themselves enough, these good episodes are not only present in One Piece, we also have Tiger Mask W which is quite solid, that show didn't have a single terrible episode so far, also Toei shows including One Piece are keeping a consistent quality right now. Dragon Ball Super had a much worse case than One Piece, starting its production shortly after the screening of the Resurrection F movie, but nowadays Super looks acceptable for a long running show. Hopefully, one day the situation will be different, I can't say that I don't want more quality from the show. -
Tomita has been very active lately. -
I said this in that episode's thread, but I do wonder if the recent trend in Zo where he's been doing a lot more lower-key character animation than he's done in the past is a sign that one of these days he's going to follow in Ito's, Takara's, and Matsuda's footsteps and be promoted to animation director.
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I said this in that episode's thread, but I do wonder if the recent trend in Zo where he's been doing a lot more lower-key character animation than he's done in the past is a sign that one of these days he's going to follow in Ito's, Takara's, and Matsuda's footsteps and be promoted to animation director.
yeah i agree it feels like his taking the same route as takra & ito where those guys where animating like half or two thirds of an episode before gearing up to take up the animation director role (ito did most harjrudin vs vise & takara luffy & doffy haki clash).
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15/01 772 「伝説の航海 イヌとネコと海賊王！」
A Legendary Journey - The Dog, the Cat and the Pirate King !the next titles will come soon enough.
One Piece Concept - French Fansubbing
http://onepiececoncept.free.fr - #OP-Concept@irc.fansub-irc.eu
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The next set of staff seem to be:
772: Koyama/Endo and Isochi
773: Ueda and Takara
774: Otsuka and Yokoyama
775: Hosoda and Deguchi -
The next set of staff seem to be:
772: Koyama/Endo and Isochi
773: Ueda and Takara
774: Otsuka and Yokoyama
775: Hosoda and DeguchiDo we have any episode titles yet?
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1月15日 772話 伝説の航海 イヌとネコと海賊王！
脚本米村正二 演出小山保徳 絵コンテえんどうてつや 作画監督五十内裕輔 美術白石美穂1月22日 773話 悪夢再び 不死身のジャック強襲
脚本田中仁 演出上田芳裕 絵コンテ上田芳裕 作画監督多嘉良敢 美術吉池隆司1月29日 774話 ゾウ防衛戦 ルフィとズニーシャ！
脚本冨岡淳広 演出大塚隆史 絵コンテ大塚隆史 作画監督横山健次 美術白石美穂2月5日 775話 巨象を救え 麦わら救急（レスキュー）大作戦！
脚本上坂浩彦 演出細田雅弘 絵コンテ細田雅弘 作画監督出口としお 美術吉池隆司 -
It seems, that the zou arc will be more streched, according to the picture of episode 775. Or?
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Quick and dirty Google Translate, just for the sole amusement purposes of "Jack, Assman of Immortality".
A terrible translation shouldn't make me laugh this hard.January 15 - 772
The legendary voyage Dog, cat and pirate king!January 22 - 773
Story Nightmare Again Jack Assman of ImmortalityJanuary 29 - 774
episodes elephant defense game Luffy and Zunnisha!February 5 - 775
stories Save the enormity Straw Hat Rescue Great Operation! -
Quick and dirty Google Translate, just for the sole amusement purposes of "Jack, Assman of Immortality".
A terrible translation shouldn't make me laugh this hard.January 15 - 772
The legendary voyage Dog, cat and pirate king!January 22 - 773
Story Nightmare Again Jack Assman of ImmortalityJanuary 29 - 774
episodes elephant defense game Luffy and Zunnisha!February 5 - 775
stories Save the enormity Straw Hat Rescue Great Operation!It sounds, that 90% are Fillers. But I don´t really remember the last chapters of Zou Arc well.
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January 15: One Piece episode 772: 「伝説の航海 イヌとネコと海賊王！」
“The Legendary Journey! The Dog and the Cat and the Pirate King!”- Screenplay: 「米村正二」 Shōji Yonemura
- Episode director: 「小山保徳」 Yasunori Koyama
- Storyboard: 「えんどうてつや」 Tetsuya Endō
- Animation director: 「五十内裕輔」 Yūsuke Isōchi
January 22: One Piece episode 773: 「悪夢再び 不死身のジャック強襲」
“Returning Nightmare – Assault of the Invulnerable Jack”- Screenplay: 「田中仁」 Hitoshi Tanaka
- Episode director: 「上田芳裕」 Yoshihiro Ueda
- Storyboard: 「上田芳裕」 Yoshihiro Ueda
- Animation director: 「多嘉良敢」 Isamu Takara
January 29: One Piece episode 774: 「ゾウ防衛戦 ルフィとズニーシャ！」
“Defensive Battle of Zou – Luffy and Zunesha!”- Screenplay: 「冨岡淳広」 Atsuhiro Tomioka
- Episode director: 「大塚隆史」 Takashi Otsuka
- Storyboard: 「大塚隆史」 Takashi Otsuka
- Animation director: 「横山健次」 Kenji Yokoyama
February 5: One Piece episode 775: 「巨象を救え 麦わら救急大作戦！」
“Save the Giant Elephant – The Straw Hats Rescue Operation!”- Screenplay: 「上坂浩彦」 Hirohiko Uesaka
- Episode director: 「細田雅弘」 Masahiro Hosoda
- Storyboard: 「細田雅弘」 Masahiro Hosoda
- Animation director: 「出口としお」 Toshio Deguchi
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January 15: One Piece episode 772: 「伝説の航海 イヌとネコと海賊王！」
“The Legendary Journey! The Dog and the Cat and the Pirate King!”- Screenplay: 「米村正二」 Shōji Yonemura
- Episode director: 「小山保徳」 Yasunori Koyama
- Storyboard: 「えんどうてつや」 Tetsuya Endō
- Animation director: 「五十内裕輔」 Yūsuke Isōchi
January 22: One Piece episode 773: 「悪夢再び 不死身のジャック強襲」
“Returning Nightmare – Assault of the Invulnerable Jack”- Screenplay: 「田中仁」 Hitoshi Tanaka
- Episode director: 「上田芳裕」 Yoshihiro Ueda
- Storyboard: 「上田芳裕」 Yoshihiro Ueda
- Animation director: 「多嘉良敢」 Isamu Takara
January 29: One Piece episode 774: 「ゾウ防衛戦 ルフィとズニーシャ！」
“Defensive Battle of Zou – Luffy and Zunesha!”- Screenplay: 「冨岡淳広」 Atsuhiro Tomioka
- Episode director: 「大塚隆史」 Takashi Otsuka
- Storyboard: 「大塚隆史」 Takashi Otsuka
- Animation director: 「横山健次」 Kenji Yokoyama
February 5: One Piece episode 775: 「巨象を救え 麦わら救急大作戦！」
“Save the Giant Elephant – The Straw Hats Rescue Operation!”- Screenplay: 「上坂浩彦」 Hirohiko Uesaka
- Episode director: 「細田雅弘」 Masahiro Hosoda
- Storyboard: 「細田雅弘」 Masahiro Hosoda
- Animation director: 「出口としお」 Toshio Deguchi
Something tells me that 773 may be a filler episode because if they were doing a chapter an episode, 775 would have everyone going to the Reverie but it won't have that because, well, look at it's title. Either that or they're stretching 3 chapters into 4 episodes because the anime version of this arc is supposedly longer than the manga version meaning it won't be exactly one chapter per episode
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Something tells me that 773 may be a filler episode because if they were doing a chapter an episode, 775 would have everyone going to the Reverie but it won't have that because, well, look at it's title. Either that or they're stretching 3 chapters into 4 episodes because the anime version of this arc is supposedly longer than the manga version meaning it won't be exactly one chapter per episode
Toei new Strategy: 2 Pages per episode instead of 1 Chapter per episode g
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Toei new Strategy: 2 Pages per episode instead of 1 Chapter per episode g
I think during the Sanji and Bege stuff and the Poneglyphs stuff they stretched chapters out between multiple episodes so this could be the case. The title for 775 makes it look like they're going to fight Jack which never happens and I doubt it'll be filler so I guess it's the episode where they leave Zou for Whole Cake Island if my suspicions are correct
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Thanks for the translation, ScotchInformer. Although, I have a question.
The Titles
Is the black text under the titles the episode synopsis for each episode? If so, could you translate for us?
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I think during the Sanji and Bege stuff and the Poneglyphs stuff they stretched chapters out between multiple episodes so this could be the case. The title for 775 makes it look like they're going to fight Jack which never happens and I doubt it'll be filler so I guess it's the episode where they leave Zou for Whole Cake Island if my suspicions are correct
Fighting Jack? No Way, because it wasn´t happening in the manga. Now I curious about the episodes 776+.
Lets Go Rangers!
United by Pride, Driven by Passion, Bound by Loyalty!
I AM A RANGER!!
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Fighting Jack? No Way, because it wasn´t happening in the manga. Now I curious about the episodes 776+.
Don't get excited, the titles are misleading. They are simply adapting 3 chapters into 4 episodes again. Also unlike last year there is no big Film or TV special that would take away needed animators (which is good!), but in turn this means there will be no tie-in movie arcs to slow the anime down. Anime is still 30+ chapters behind the manga so we could be waiting a long time before we see filler again.
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Don't get excited, the titles are misleading. They are simply adapting 3 chapters into 4 episodes again. Also unlike last year there is no big Film or TV special that would take away needed animators (which is good!), but in turn this means there will be no tie-in movie arcs to slow the anime down. Anime is still 30+ chapters behind the manga so we could be waiting a long time before we see filler again.
I prefer sloppy tie-in movie arc to slow down the anime instead of stretching the manga-adaptions much more.
Lets Go Rangers!
United by Pride, Driven by Passion, Bound by Loyalty!
I AM A RANGER!!
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I prefer sloppy tie-in movie arc to slow down the anime instead of stretching the manga-adaptions much more.
I think most long-time viewers and manga readers do too!
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I have a cool idea for an arc before the adaption of "Totto Land Arc" begins:
Since the "Totto Land Arc" is a Sanji-centric-arc, would be a nice opportunity for a "Baratie Arc"-remake. With updated animation and more closely to the manga-storyline (reason for that claiming), it would be glorious.
Lets Go Rangers!
United by Pride, Driven by Passion, Bound by Loyalty!
I AM A RANGER!!
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I have a cool idea for an arc before the adaption of "Totto Land Arc" begins:
Since the "Totto Land Arc" is a Sanji-centric-arc, would be a nice opportunity for a "Baratie Arc"-remake. With updated animation and more closely to the manga-storyline (reason for that claiming), it would be glorious.
There's a high chance they will remake the arc as a special this summer, but not as an arc. Similar to how most other 'Episode of' specials (and extended films) were aired when the events tied into the main story conveniently.
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90% sure we might get a special to commemorate the franchise's 20th Anniversary than a Baratie remake.
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There's a high chance they will remake the arc as a special this summer, but not as an arc. Similar to how most other 'Episode of' specials (and extended films) were aired when the events tied into the main story conveniently.
Yeah you are right, but we should not stop dreaming about a "Baratie Remake" as a arc instead of a 2h tv-movie-special
90% sure we might get a special to commemorate the franchise's 20th Anniversary than a Baratie remake.
Good point, but it wouldn´t be better to reanimate the first chapter or better the first arc?
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Eh. Do we really need to see the first chapter reanimated again for a third(?) time?
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Eh. Do we really need to see the first chapter reanimated again for a third(?) time?
Its Toei, they will milk their Franchise for money
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They've pretty much animated everything they can at the very beginning of the story. My bet is on Episode of Sanji, Marineford or another original special.
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Episode 772 is going to be the rest of 819 and some of 820 I imagine, and then 773 will finish off 820 and go into 821. Episodes 774-775 seem to just be finishing off 821, based on the titles, with maybe the beginning of 822 thrown in there.
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Episode 772 is going to be the rest of 819 and some of 820 I imagine, and then 773 will finish off 820 and go into 821. Episodes 774-775 seem to just be finishing off 821, based on the titles, with maybe the beginning of 822 thrown in there.
I thought, that the chapter 819 was fully animated in episode 771.
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The last 3,4 pages were missing, I think they might put Jack's return as a cliffhanger at the end of 772.
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If the manga of One Piece won´t be much on break, the anime would be much better paced. The next Chapter (853) will be out in two weeks >.>
Lets Go Rangers!
United by Pride, Driven by Passion, Bound by Loyalty!
I AM A RANGER!!
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Hi
I bought some genga
This sabo is from the episode 695, but Idon t know if the animator is Yoshikazu Tomita
I had an other one, but I don't find the episode, someone can help me?
thank you
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Hi
I bought some genga
This sabo is from the episode 695, but Idon t know if the animator is Yoshikazu Tomita
if it's from 695 am 100% it's from the end of takeshi nishino cut.
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If the manga of One Piece won´t be much on break, the anime would be much better paced. The next Chapter (853) will be out in two weeks >.>
You talk as though that can be controlled. Also, you should read this:
@SunChopper:
In addition, some people think that fewer pages means worse pacing, and some people think that slower camera movement/switching means worse pacing. I feel sorry to say this, but these are two typical misconceptions about pacing. For example, #675 had only 13 pages covered, and it's camera movement/switching speed was very fast, but indeed this episode's pacing was too fast to express the the roots of Kyros's story. Have a comparison between this episode with the introduction of Kyros in #634, one may find that the depth was totally different. #676 had the same problem.
BTW, #662 was just a totally opposite example. This episode was covered by a full chapter, but the pacing was just awful, incredibly awful. It could have been a great episode, but the poor storyboard, poor episode direction, and the poor music choice just ruined this episode. The one who directed this episode (I feel sad to mention his name) should leave One Piece anime, ASAP.
Just like what I said before, a good paced episode needs a good timing control, good camera movement/switching design, good music choice, and good technique of expression. And this arc do have lots of less-than-1-chapter-covered epiodes in this arc has these advantages.
He did go on to agree that the covering of chapters/fillers should be much better than it is, but just because an episode covers less pages doesn't mean its pacing is bad. 772 this week only covered half of a chapter that was mostly about talking but it was pretty fun to watch
Spoiler:
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You talk as though that can be controlled. Also, you should read this:
I don´t mind to have filler- or extended-scenes to fill certain story-parts, which was cut out. But since the Fishman Island Arc, I feel that Toei want to stretched their Anime to have a big gap to the Manga-Stand.
He did go on to agree that the covering of chapters/fillers should be much better than it is, but just because an episode covers less pages doesn't mean its pacing is bad.
It depends, how it was produced. I think, that 1 Chapter per Episode could be cool, but I prefer more 2 Chapter per Episode.
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Does someone know by any chances what happened to Ishizuka? He was my favourite AD…
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Nagamine Tatsuya and Nakamura Ryouta are the series directors for Dragon Ball Super starting with Episode #77, so don't expect to see them work on One Piece for a while.
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Does someone know by any chances what happened to Ishizuka? He was my favourite AD…
Ishizuka is my fav AD aswell, his hasn't been as active but his only been working on movies & specials in the last year.
he recently worked on the toei movie Popin-Q, before that was the tv one piece special Adventure of nebuland before that was Episode of sabo and Dragon ball z resurrection F.
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778 : To the Reverie – Rebecca and the Cherry Blossom/Sakura Kingdom
779 : Kaido Returns – The Worst Generation Threatened!
[Twitter
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Next batch of titles and staff are:
776: ''Descending the Elephant - Setting Sail for Sanji's Retrieval'' (Yasunori Koyama/Masayuki Takagi)
777: ''To the Reverie - Princess Vivi and Princess Shirahoshi'' (Katsumi Tokoro/Shigefumi Shingaki)
778: ''To the Reverie - Rebecca and the Sakura Kingdom'' (Yoshihiro Ueda/Shuuichi Ito)
779: ''Kaido Returns - The Worst Generation Threatened!'' (Kentaro Fujita/Yusuke Isochi)There will most likely be a break following 779 due to the marathon on the 12th of March in Japan, so if there's another short filler coming up like the latest episode seems to confirm, that'll start on the 18th and 779 will probably cover up to about the mid-point of chapter 824.
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777 Preview
@EMUNOPLA: https://twitter.com/EMUNOPLA/status/829598324068118528?s=09
[Twitter
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Next batch of titles and staff are:
776: ''Descending the Elephant - Setting Sail for Sanji's Retrieval'' (Yasunori Koyama/Masayuki Takagi)
777: ''To the Reverie - Princess Vivi and Princess Shirahoshi'' (Katsumi Tokoro/Shigefumi Shingaki)
778: ''To the Reverie - Rebecca and the Sakura Kingdom'' (Yoshihiro Ueda/Shuuichi Ito)
779: ''Kaido Returns - The Worst Generation Threatened!'' (Kentaro Fujita/Yusuke Isochi)There will most likely be a break following 779 due to the marathon on the 12th of March in Japan, so if there's another short filler coming up like the latest episode seems to confirm, that'll start on the 18th and 779 will probably cover up to about the mid-point of chapter 824.
I hope, that we get a filler arc after episode 779.
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Next batch of titles and staff are:
776: ''Descending the Elephant - Setting Sail for Sanji's Retrieval'' (Yasunori Koyama/Masayuki Takagi)
777: ''To the Reverie - Princess Vivi and Princess Shirahoshi'' (Katsumi Tokoro/Shigefumi Shingaki)
778: ''To the Reverie - Rebecca and the Sakura Kingdom'' (Yoshihiro Ueda/Shuuichi Ito)
779: ''Kaido Returns - The Worst Generation Threatened!'' (Kentaro Fujita/Yusuke Isochi)There will most likely be a break following 779 due to the marathon on the 12th of March in Japan, so if there's another short filler coming up like the latest episode seems to confirm, that'll start on the 18th and 779 will probably cover up to about the mid-point of chapter 824.
The Reverie stuff was all in one chapter so it looks like they'll be adding in filler stuff for Vivi and Shirahoshi and Rebecca and Dalton to have them fit an entire episode
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I figured this belongs here since it's about animation.
Why is the animation (and art) in the openings… bad now?
Opening 12, 13, 14, and 15 had fluid movement, and even emulated the art of manga pretty nicely. And good choreography with the song, most importantly.
But then the art and visual direction got worse with 16, then 18, and 19. They're actually hard to watch compared the openings above. Anybody know why?
FMA 03> FMA Brotherhood
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